| Description |
1 online resource |
| Series |
At the interface/probing the boundaries ; volume 91 |
|
At the interface/probing the boundaries ; 91.
|
| Contents |
Preliminary Material / Kristen Wright -- How Ignorance Made a Monster, Or: Writing the History of Vlad the Impaler without the Use of Sources Leads to 20,000 Impaled Turks / Peter Mario Kreuter -- Unveiling the Truth through Testimony: The Argentinean Dirty War / Adriana Spahr -- Fanatics and Absolutists: Communist Monsters in John le Carré's Cold War Fiction / Toby Manning -- Queer Race Play: Kinky Sex and the Trauma of Racism / Dejan Kuzmanovic -- Absolute Beasts? Social Mechanics of Achieved Monstrosity / William Redwood -- Utopian Leprosy: Transforming Gender in Bram Stoker's Dracula and History in the Strugatsky Brothers' The Ugly Swans / Elsa Bouet -- Monstrosity and the Fantastic: The Threats and Promises of Monsters in Tommaso Landolfi's Fiction / Irene Bulla -- 'This Thing of Darkness I Acknowledge Mine': Man's Monstrous Potential in The Tempest and Titus Andronicus / Kristen D. Wright -- Paedophilic Productions and Gothic Performances: Contending with Monstrous Identity / Jen Baker -- Creeper Bogeyman: Cultural Narratives of Gay as Monstrous / Sergio Fernando Juárez -- Full Metal Abs: The Obscene Spartan Supplement of Liberal Democracy / Carlo Comanducci |
| Summary |
Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanity's desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture |
| Bibliography |
Includes bibliographical references |
| Notes |
Online resource; title from PDF title page (EBSCO, viewed February 19, 2018) |
| Subject |
Monsters in literature.
|
|
Monsters -- Social aspects
|
|
Monsters -- Symbolic aspects.
|
|
LITERARY CRITICISM -- Subjects & Themes -- General.
|
|
Monsters in literature
|
|
Monsters -- Symbolic aspects
|
| Form |
Electronic book
|
| Author |
Wright, Kristen, editor
|
| ISBN |
9789004360150 |
|
9004360158 |
|
