| Description |
1 online resource |
| Series |
Framing Film |
|
Framing film (Amsterdam, Netherlands)
|
| Contents |
Intro -- Table of Contents -- Introduction: Experimental Cinema, Expanded Cinema, and Artist's Film -- Chapter 1. Access: Agents, Archives -- Archive -- Whether to preserve or to show -- Programming -- Historiography in the making -- Curating -- Montage of contexts -- Case study: Arsenal -- Living Archive Project, Berlin -- Expanded cinema -- Expanded consciousness and event -- Case study: Forum Expanded, Berlin Film Festival -- Case study: International Short Film Festival, Oberhausen -- Case study: Anthony McCall's Line Describing a Cone -- Archival impulse -- Archive fever -- Notes |
|
Historiography -- Films that make history -- Case study: The Realm of Possibilities 4 -- Access: Diamonds, Enter, Fin -- Documents -- Testifying the past -- Found footage -- Sampling and remixing images and music -- Experimental music videos in museums -- Case study Deutsches Filminstitut Filmmuseum, Frankfurt -- Audio-visual heritage -- Expanded heritage -- Memory -- Joyful archive of experiences -- Experimental films and philosophy -- Notes -- Bibliography -- Outlook -- Notes -- Conclusion -- Acknowledgements -- Illustrations -- General bibliography -- Index |
| Summary |
Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse |
| Notes |
Online resource; title from digital title page (viewed on December 23, 2020) |
| Subject |
Film archives.
|
|
Experimental films -- History -- 20th century
|
|
Theory of art.
|
|
Exhibition catalogues and specific collections.
|
|
Film theory and criticism.
|
|
Archiving, preservation and digitisation.
|
|
ART / Collections, Catalogs, Exhibitions / General.
|
|
ART / Film & Video.
|
|
LANGUAGE ARTS & DISCIPLINES / Library & Information Science / Archives & Special Libraries.
|
|
PERFORMING ARTS / Film & Video / History & Criticism.
|
|
Experimental films
|
|
Film archives
|
| Genre/Form |
History
|
| Form |
Electronic book
|
| ISBN |
9789048537075 |
|
904853707X |
|
