| Description |
1 online resource (295 pages) |
| Contents |
Intro -- Praise for the Book -- Table of Contents -- Acknowledgements -- Foreword -- Contributors -- Introduction -- Section 1 -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Section 2 -- Chapter 4 -- Chapter 5 -- Section 3 -- Chapter 6 -- Chapter 7 -- Chapter 8 -- Section 4 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Section 5 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Index |
| Summary |
This volume brings together scholars based predominantly in Asia to contribute provocative and experimental essays on the dynamic relationship between animation and philosophy. In an inventive and playful philosophical way, they address not only the mainstay of Japanese animation, but also Korean film, picture books and Mickey Mouse to understand what we might call film-philosophy in Asia. In thinking animation with concepts from the technicolour philosophies of Deleuze, Guattari, Stiegler, Benjamin, Kristeva and Heidegger, the book sees animation not as a representation of a philosophical ide |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from digital title page (viewed on September 17, 2021) |
| Subject |
Animation (Cinematography)
|
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Animation (Cinematography) -- Asia
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Philosophy.
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Comic books, strips, etc.
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Philosophy
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animations (visual works)
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philosophy.
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animation (process)
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Animation (Cinematography)
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Comic books, strips, etc.
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Philosophy
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Asia
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| Form |
Electronic book
|
| Author |
Bradley, Joff P. N., editor
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Cheng, Catherine Ju-Yu, editor
|
| ISBN |
1527573613 |
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9781527573611 |
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