| Description |
x, 272 pages : illustrations ; 24 cm |
| Contents |
1. Introduction: Structures Don't March in the Streets -- 2. The Orthopsychic Subject: Film Theory and the Reception of Lacan. The Screen as Mirror. Orthopsychism. The Mirror as Screen -- 3. Cutting Up. The Death Drive: Freud and Bergson. Cause: Lacan and Aristotle. Achilles and the Tortoise. Cause and the Law -- 4. The Sartorial Superego. Colonies and Colonnades. Guilty versus Useful Pleasures. Beyond the Good Neighbor Principle. Fantasy and Fetish -- 5. Vampires, Breast-Feeding, and Anxiety. The Drying Up of the Breast. Breast-Feeding and Freedom -- 6. The Unvermogender Other: Hysteria and Democracy in America. The Teflon Totem. The Modern Forms of Power --7. Locked Room/Lonely Room: Private Space in Film Noir. The Actuarial Origins of Detective Fiction. The Locked-Room Paradox and the Group. Detour through the Drive. The Voice and the Voice-Over. Locked Room/Lonely Room. Lethal Jouissance and the Femme Fatale --8. Sex and the Euthanasia of Reason. The Phallic Function |
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The Female Side: Mathematical Failure. The Male Side: Dynamical Failure. Sexual Difference and the Superego |
| Analysis |
Psychoanalysis Related to Culture |
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Psychoanalysis Related to Culture |
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Psychoanalysis Related to Culture |
| Notes |
"An October book." |
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Includes index |
| Bibliography |
Bibliography: pages [237]-260 |
| Subject |
Foucault, Michel, 1926-1984.
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Lacan, Jacques, 1901-1981.
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| SUBJECT |
Psychoanalysis and culture. http://id.loc.gov/authorities/names/n88524134
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| Subject |
Desire.
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Historicism.
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Psychoanalysis and culture.
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Psychoanalytic Theory.
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Culture.
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History.
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| LC no. |
94000383 |
| ISBN |
0262032198 |
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