| Description |
1 online resource (xi, 244 pages) : illustrations |
| Summary |
"Bloomsbury, Beasts and British Modernist Literature reveals how the Bloomsbury group's fascination with beasts - from pests to pets, tiny insects to big game - became an integral part of their critique of modernity and conceptualisation of more-than-human worlds. Through a series of close readings, it argues that for Leonard Woolf, David Garnett, Virginia Woolf and E.M. Forster, profound shifts in interspecies relations were intimately connected to questions of imperialism, race, gender, sexuality and technology. Whether in their hunting narratives, zoo fictions, canine biographies or (un)entomological aesthetics, these writers repeatedly test the boundaries between, and imagine transformations of, human and nonhuman by insisting that we attend to the material contexts in which they meet. In demonstrating this, the book enrichens our understanding of British modernism while intervening in debates on the cultural significance of animality from the turn of the twentieth century to the Second World War"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from digital title page (viewed on December 12, 2022) |
| Subject |
Bloomsbury group.
|
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Human-animal relationships in literature.
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Modernism (Literature) -- Great Britain
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Modernism (Aesthetics) -- Great Britain
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English literature -- 20th century -- History and criticism
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Bloomsbury (London, England) -- Intellectual life -- 20th century
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Bloomsbury group
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English literature
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Human-animal relationships in literature
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Modernism (Aesthetics)
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Modernism (Literature)
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Great Britain
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| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
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| LC no. |
2022015914 |
| ISBN |
9781009182997 |
|
1009182994 |
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