| Description |
1 online resource (273 pages) |
| Contents |
Cover; Half Title; Series Page; Title Page; Copyright Page; Dedication; Table of Contents; List of Figures; Series Foreword; Acknowledgements; Introduction: Remixing European Jazz Culture -- Historical Precedents, Methodological Approaches, and Theoretical Interventions; Setting the Stage -- Punkt 2018 -- Kristiansand, Norway; Theorising Remix within Music Cultures; Remix and European Jazz Culture; Part I; European Jazz Star Circuits, Transnational Routes, and Institutional Networks; Part II; Remixing European Jazz Culture in Seven Chapters; Notes |
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Chapter 1: Jazz in Post-War Europe: From Free Collectives to Electronic JazzEurope's Free and Collectivising Jazz of the 1970s and 1980s; European Jazz in the Digital Era; Independent Electronic Crossover Jazz Labels; DJ as Gatekeeper/Taste- Maker/Curator; Electric Jazz Zines -- Straight No Chaser; Jazz Festivals, Revivals, and the Participatory Bodies of European Jazz Culture; Chapter 2: Wicked Jazz Sounds and Blue Note Trips: Dance Tourists and Musical Migrants in Amsterdam's Crossover Jazz Scene; Introduction; Scenes, Networks, and Circulations; Amsterdam's 'Cosmopolitan' Jazz Scene |
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Amsterdam's Jazz Club Night Series: Wicked Jazz Sounds and Blue Note TripsThe Melkweg; Blue Note Trip Club Nights at The Melkweg; The Sugar Factory; Conclusion; Notes; Chapter 3: DJs and PLOs in Berlin's Electronic Jazz Scene: The Hybrid Production Aesthetics of Jazzanova; Technology, Sampling, and Authenticity; Listening with Jazzanova -- Good Remix, Bad Remix; Nina Simone -- The Remix 'Stomp Treatment'; 'Stimela' -- Engaged Remixes; Building a Jazz Archive, Cultivating 'Jazz Ears': for Electronic Jazz Producers; Jazzanova's Trajectory from Record-collecting Cafés to Producer-led Studios |
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Compiling the RemixesSampling Community and Love in 'L.O.V.E. and You & I' (In Between 2001); Sampling a Recorded History in PLOs (Producer- led Outfits); Archiving and Sampling as Musicking; Of All the Things (2008, Second Production- basedAlbum); Acoustic Orchestra Samples Sample- based Jazz -- The Sonar Kollectiv Orchester; Conclusion; Notes; Chapter 4: Oslo's Jazzland Recordings: Finding Home in a New Conception of Jazz; Nordic Tone Affiliations; Oslo's Urban Renewal and Cultural Transformation; Barcode Project, the National Opera House and the Nasjonal Jazzscene; Nasjonal Jazzscene |
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Grünerløkka -- Home of Electronic JazzBlå; Bugge Wesseltoft and Jazzland Recordings; Jazzland's Electronic Jazz; Remixing Electronic Jazz; 'Eve Nin', Sharing (1998); 'Eve Nin' (Les Gammas Remix), Jazzland Remixed (2000); Beady Belle; CEWBEAGAPPIC; On My Own (2016); Conclusion; Notes; Chapter 5: Part One: The 'revival of the revival' or a swing dance continuum?: Mediascapes, Time Machines, and Intercultural Encounters at the Herräng Dance Camp; Introduction; The Herräng Dance Camp and the Swedish Lindy Hop Continuum; The Original European Black Atlantic Lindy Roots/Routes |
| Notes |
The 1980s Swing Dance Revival in Sweden |
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Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. WlAbNL |
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Print version record |
| Form |
Electronic book
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| ISBN |
9780429999291 |
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0429999291 |
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9780429999284 |
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0429999283 |
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