| Description |
1 online resource (225 p.) |
| Series |
Remapping World Cinema Ser |
|
Remapping World Cinema Ser
|
| Contents |
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of figures -- List of contributors -- Acknowledgements -- Introduction: Situating Lusophone African cinema -- 1. Lusophone African cinema as world cinema -- 2. Lusophone filmmaking in the realm of transnational African cinemas: From 'global ethnic' to 'global aesthetics' -- 3. Sounds of liberation: Sarah Maldoror's Sambizanga (1972) and Miguel Gomes' Tabu (2012) -- 4. Resistance and political awareness through the poetic gaze of Sarah Maldoror |
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5. The eleventh island: Cape Verde, the moving images and its diaspora -- 6. Postcolonial testimony and the ruins of empire -- 7. In the name of the Rosa: The ethnographic reflex in the cinema of Licínio Azevedo -- 8. From the Tabanca to Bissau, from Bissau to the Diaspora: Social narratives in the Bissau-Guinean popular cinema -- 9. The representation of ritual and cinema as a ritual in revolutionary Mozambique: Ruy Guerra's 'Mueda, Memória e Massacre' -- 10. A melancholic outlook on 40 years of Lusophone audiovisual production and Guinea -- the two faces of the war as case study |
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11. 'We must dress ourselves in the black light': An authorialanalysis of African cinemas -- Flora Gomes's case -- 12. Pedro Pimenta, in interview with Livia Apa 31 August 2018 -- Index |
| Notes |
Description based upon print version of record |
| Form |
Electronic book
|
| Author |
Apa, Livia
|
| ISBN |
9780429651557 |
|
0429651554 |
|
