Description |
116 pages : illustrations, portraits. ; 30 cm |
Summary |
Stephen and Donaldson argue that Power is Australia's most important avant-gardist of the early twentieth century. In the inter war years, Power moved between cities, immersing himself in both contemporary and historical art, this restlessness leading to his own unique painting: part abstract surrealism, part surreal abstraction |
Analysis |
Australian |
Notes |
"Published in conjunction with the exhibition J.W. Power: Abstraction-Création, Paris 1934, University Art Gallery, The University of Sydney, 24 September 2012 - 25 January 2013, and Heide Museum of Modern Art, Melbourne, 2014" |
Bibliography |
Includes bibliographical references |
Notes |
"Published in conjunction with the exhibition J.W. Power: Abstraction-Création, Paris 1934, University Art Gallery, The University of Sydney, 24 September 2012 - 25 January 2013, and Heide Museum of Modern Art, Melbourne, 2014" |
Subject |
Power, J. J. W. (John Joseph Wardell), 1881-1943 -- Exhibitions
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Power, J. J. W. (John Joseph Wardell), 1881-1943
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Power, John Joseph Wardell, 1881-1943 -- Exhibitions
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Power, John, 1881-1943 -- Exhibitions.
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Art, Abstract -- Exhibitions.
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Art, Abstract -- 20th century -- Exhibitions.
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Art, Abstract -- France.
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Art, Abstract.
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Art, Australian -- 20th century -- Exhibitions.
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Art, Abstract -- France -- Exhibitions.
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Painting, Abstract -- Exhibitions.
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Painting, Abstract -- 20th century -- Exhibitions.
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Genre/Form |
Exhibition catalogs.
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Author |
Fabre, Gladys C.
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Power, John, 1881-1943.
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Spate, Virginia, 1937-
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Stephen, Ann.
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Heide Museum of Modern Art.
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University of Sydney. University Art Gallery
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ISBN |
9780909952402 (hbk.) |
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