| Description |
1 online resource : text file, PDF |
| Series |
Routledge Research in Gender and History ; 28 |
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Routledge research in gender and history ; 28.
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| Contents |
Introduction : Positioning Women in the World's Fairs, 1876-1937 -- Part I. Exhibiting Women : Collectors, Artists and Students -- 1. Expositions and Collections : Women Art Collectors and Patrons in the Age of the Great Expositions -- 2. Unpretentious Paintings : Mexico's National School of Fine Arts' Women Students at the 1893 Chicago Columbian Exposition -- 3. Inserting the Personal in the International : The American Girl at the 1900 Paris Exposition -- Part II. Promoting Women : Professionals, Workers and Organizers -- 4. "After Mature Deliberation" : Women Lawyers' Infiltration of the 1893 World's Columbian Exposition -- 5. Rewriting Portuguese Women's History at International Expositions (1889-1908) -- 6. A "Reason to Act, an Ideal to Strive Towards" : Women as Intellectual Organizers at the Paris Exhibition of 1900 -- Part III. Staging Otherness : Women on and from the Margins -- 7. African American Women's Voices at the 1893 Chicago World's Fair -- 8. Between Knowledge and Spectacle : Exotic Women at International Exhibitions (Paris, 1889 and 1900) -- 9. International Activism After the Fair : New South Wales, Utah and the 1893 World's Columbian Exposition -- Part IV. Mobilizing Women : National, International and Transnational Feminism(s) -- 10. Rendezvous at the Expo : Building a Franco-American Women's Network, 1889-1893-1900 -- 11. Forging the Transnational out of the International : Feminist Internationalism at World's Fairs and International Exhibitions -- 12. French Women at the Paris 1937 Exhibition : One Step Forward, Two Steps Back? -- Contributors -- Index |
| Summary |
"This book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937), it also seeks to introduce new voices into these studies, dialoguing across disciplinary and national historiographies. From the outset, women participated not only as spectators, but also as artists, writers, educators, artisans and workers, without figuring among the organizers of international exhibitions until the 20th century. Their presence became more pointedly acknowledged as feminist movements developed within the Western World and specific spaces dedicated to women's achievements emerged. International exhibitions emerged as showcases of "modernity" and "progress," but also as windows onto the foreign, the different, the unexpected and the spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women were actors and writers of the fair narrative, although acknowledgment of their contribution was uneven and often ephemeral. Uncovering such silence highlights how gendered the triumphant history of modernity was, and reveals the ways women as a category engaged with modern life within that quintessential modern space--the world fair."--Provided by publisher |
| Subject |
Minority women.
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Sex role.
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Women -- Intellectual life
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Women professional employees.
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Feminism.
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sex role.
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feminism.
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HISTORY -- Modern -- General.
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HISTORY -- Social History.
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Feminism
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Minority women
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Sex role
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Women -- Intellectual life
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Women professional employees
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| Form |
Electronic book
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| Author |
Boussahba-Bravard, Myriam
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| ISBN |
9781315196534 |
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1315196530 |
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9781351767330 |
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135176733X |
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9781351767347 |
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1351767348 |
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9781351767323 |
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1351767321 |
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