| Description |
1 online resource (227 p.) |
| Series |
Routledge Interdisciplinary Perspectives on Literature Series |
|
Routledge Interdisciplinary Perspectives on Literature Series
|
| Contents |
Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- List of Contributors -- Editors' Introduction: Hybrid Zones of Transtextual World-Building: Towards the Mezzaterra of Adaptation -- Works Cited -- Part I Aesthetics And/as Politics in Hybrid Transtextual Adaptation -- 1 Macbeth, Macbeth: Beyond Adaptation, Towards Creative Critical Writing -- Introduction -- Beyond Adaptation: Celebrating Hybridity -- Collapsing Binaries -- Text and Paratext -- Seriality, Repetition, and Afterimages -- Polyphony and Its Vehicles |
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Beyond Adaptation: Towards Creative Criticism -- Conclusions -- Notes -- Works Cited -- 2 Joycean Biographics as Hybrid Transmedia Adaptations: World-Building Through Biographical Comics -- Introduction -- From Worldmaking to World-Building -- Graphic Biography as a Hybrid Transmedia Genre -- Situating Biographics in the World of Biography -- Zapico's Biographics -- Talbot's Biographics -- Conclusion -- Works Cited -- 3 Lost at Sea: Caroline Bergvall's Mapping of Early Medieval and Contemporary Maritime Migration -- Resurfacing Speech -- Reframed Pasts -- Entangled Narratives |
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Adapted Medievalisms -- Notes -- Works Cited -- Part II Repurposing "Classics" -- 4 Appropriating Biography: The Hybrid "Face" of Shakespeare in Branagh's All Is True -- Introduction -- History as a Genre -- Shakespeare's Biography -- Branagh's Shakespeare -- Conclusion -- Notes -- Works Cited -- 5 Advertising as Adaptation: The Case of Romeo and Juliet -- Notes -- Works Cited -- 6 Re-Activating the Revenge Drama in Three Billboards Outside Ebbing, Missouri -- Works Cited -- Part III East-West Adaptation Flows |
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7 "Cobra Kai Never Dies": Rebooting The Karate Kid Franchise for a 21st-Century YouTube and Netflix Audience -- Works Cited -- 8 Hybrid Transtextualities: Triangulating Tang Xianzu's Peony Pavilion, Traditional Chinese Kunqu Theatre, and Stan Lai's Nightwalk in the Chinese Garden -- Introduction -- Complicated Emotional and Cognitive Picture and Multi-Level Stage-Auditorium Communication in the Hypotext, Tang Xianzu's Peony Pavilion, Scene 20 "Keening" |
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Hypertextuality: From Tang Xianzu's "Keening" to Kunqu "Soul's Departure" and the Relation Between Classical Dramatic Literature and Traditional Theatrical Forms -- Hybrid Transtextualities in Stan Lai's Immersive Theatre: Nightwalk in the Chinese Garden -- Conclusion -- Notes -- Works Cited -- 9 Medial Transposition and Imitation in The Handmaiden -- Introduction: The Fingersmith Medial Complex -- Double-Crossings and Double Meanings -- Issues of Focalisation -- Imitation and Appropriation -- Other Forms of Imitation -- Conclusions -- Notes -- Works Cited |
| Notes |
Description based upon print version of record |
|
10 Transmedial Melodies: Music in Salman Rushdie's Novel The Ground Beneath Her Feet |
| Form |
Electronic book
|
| Author |
Kębłowska-Ławniczak, Ewa
|
| ISBN |
9781000956252 |
|
1000956253 |
|
