| Description |
1 online resource (234 pages) : 27 illustrations |
| Series |
Musik und Klangkultur |
|
Musik und Klangkultur.
|
| Contents |
Einleitung : Musik (machen) als Organisation von Raum -- Am I sitting in a room? -- Lebe deinen Raum! -- Fabricando fabricamur : Feedback-Schleifen der Produktion -- My space : Max-Raum -- Maximalism 1 : Max als in-formiertes Raumprodukt -- Raum im Raum im Raum : L'IRCAM et le Système 4X -- The Family : 1985-1994 -- La Version non graphique -- The Patcher -- Opcode-Max -- IMW/ISPW-Max, Max/FTS und jMax -- The Community : 1990-2010 -- Pure Data : Public Domain -- MSP : Max Signal Processing -- Re : (maxmspd) Re: Re: Re: Mox-mailing-lists -- www.maxobjects.com/libraries/rtc-lib -- GEM, Nato.0+55 und Jitter -- Max for Live -- Exkurs a) Max als Musikinstrument? -- Exkurs b) Max als Notationssystem? -- Maxlmalism 2 : Max als in-formlerender Raumrepräsentant -- Max und Moritz : A program that does nothing? -- Live-elektronischer Interaktionsraum -- Pluton- Philippe Manoury -- Live-Coding : TOPLAP, Blank Pages -- Gestikulierter Raum -- The Master of Space : David Rokeby -- Capture : Kasper T. Toeplitz -- Netzwerk -- Global Visual Music Project : Miller Puckette, Vibeke S0rensen, Rand Steiger -- Quintet.net : Georg Hajdu -- Hyperraum -- Lexikon Sonate : Karlheinz Essl -- Variations for the World Wide Web : Seionshin Yamagishi, Kohij Setoh, Randall Packer, Noriko Matsumoto -- Schluss : Max for Life -- Literatur |
| Summary |
MAX - a graphical programming environment for music and multimedia - enjoys the status of being a lingua franca of practice-oriented musical, artistic, and media institutions after two decades of development and impact. This book provides a comprehensive culture-historical survey within which the software appears as a product of a specific space of action in the aesthetic practice, retroactively evoking unprecedented production structures. This causes shifts in the extensive interactions between technological and artistic production at the center of the analysis |
| Notes |
Originally presented as the author's thesis (doctoral - Hildesheim) under the title: Bang Means Do It! Die graphische Programmierumgebung für Musik und Multimedia MAX als Raumprodukt zur .. |
| Bibliography |
Includes bibliographical references |
| Notes |
Print version record |
| SUBJECT |
Raum gnd |
|
Smith, Glen gnd |
|
Max (Computer file : Cycling '74) -- History
|
|
Pure Data (Computer file) -- History
|
|
Max (Computer file : Cycling '74) fast |
|
Pure Data (Computer file) fast |
| Subject |
Music -- Software -- History
|
|
Composition (Music) -- Interactive multimedia
|
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Computer sound processing -- History
|
|
Music and technology -- History
|
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Space and time in music.
|
|
MUSIC -- Genres & Styles -- Classical.
|
|
MUSIC -- Reference.
|
|
Composition (Music)
|
|
Computer sound processing
|
|
Music and technology
|
|
Music -- Software
|
|
Space and time in music
|
|
Musik
|
|
Technik
|
| Genre/Form |
History
|
|
Interactive multimedia
|
| Form |
Electronic book
|
| ISBN |
9783839425275 |
|
3839425271 |
|
