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Book Cover
Book

Title Redefining mainstream popular music / edited by Sarah Baker, Andy Bennett, and Jodie Taylor
Published New York : Routledge, 2013

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Location Call no. Vol. Availability
 MELB  781.6409 Bak/Rmp  AVAILABLE
Description xiv, 222 pages : illustrations ; 24 cm
Contents Mainstream as metaphor : imagining dominant culture / Alison Huber -- Teenybop and the extraordinary particularities of mainstream practice / Sarah Baker -- Historicizing mainstream mythology : the industrial organization of The Archies / Matt Stahl -- Lesbian musicalities, queer strains and celesbian pop : the poetics and polemics of women-loving women in mainstream popular music / Jodie Taylor -- The positioning of the mainstream in punk / Erik Hannerz -- Kill the static : temporality and change in the hip-hop mainstream (and its "other") / Murray Forman -- The contradictions of the mainstream : Australian views of grunge and commercial success / Catherine Strong -- Elvis goes to Hollywood : authenticity, resistance, commodification and the mainstream / David Baker -- Walking in Memphis? : Elvis heritage between fan fantasy and built environment / Mark Duffett -- "Following in mother's silent footsteps" : revisiting the construction of femininities in 1960s popular music / Sheila Whiteley -- Music from abroad : the internationalization of the US mainstream music market, 1940-90 / Timothy J. Dowd -- "Sounds like an official mix" : the mainstream aesthetics of mash-up production / Adrian Renzo -- Chasing an aesthetic tail : latent technological imperialism in mainstream production / Denis Crowdy -- The hobbyist majority and the mainstream fringe : the pathways of independent music-making in Brisbane, Australia / Ian Rogers -- Off the beaten track : the vernacular and the mainstream in New Zealand tramping club singsongs / Michael Brown -- Musical listening at work : mainstream musical listening practices in the office / Michael Walsh -- Cheesy listening : popular music and ironic listening practices / Andy Bennett
Summary Mainstream as metaphor: imagining dominant culture - Teenybop and the extraordinary particularities of mainstream practice - Historicizing mainstream mythology: the industrial organization of archives - Lesbian musicalities, queer strains and celesbian pop: the poetics and polemics of women-loving women in mainstream popular music - The positioning of the mainstream in punk - Kill the static: temporality and change in the hip-hop mainstream - The contraditions of the mainstream: Australian views of grunge and commercial success - Elvis goes to Hollywood: authenticity, resistance, commodification and the mainstream - Walking in Memphis?: Elvis heritage between fan fantasy and built environment - 'Following in mother's silent footsteps': revisiting the construction of femininities in 1960s popular music - Music from abroad: the internationalization of the US mainstream music market, 1940-90 - 'Sounds like an official mix': the mainstream aesthetics of mash-up production - Chasing an aesthetic tail: latent technological imperialism in mainstream production - The hobbyist majority and the mainstream fringe: the pathways of independent music-making in Brisbane, Australia - Off the beaten track: the vernacular and the mainstream in New Zealand tramping club songs - Musical listening at work: mainstream musical listening practices in the office - Cheesy listening: popular music and ironic listening practices
Analysis Australian
Notes Includes bibliographical references and index
Bibliography Includes bibliographical references and index
Subject Popular culture.
Popular music -- History and criticism.
Author Baker, Sarah, 1977- editor
Bennett, Andy, 1963- editor
Taylor, Jodie, 1980- editor
LC no. 2012027433
ISBN 0415807808 (hbk.)
0415807824 (paperback)
9780415807807 (hbk.)
9780415807821 (paperback)