| Description |
1 online resource (353 pages) |
| Contents |
Intro; Table of Contents; Preface; Chapter One; Musical interpretation; Hermeneutics of the Cantigas; On Judas (2002) for Choir and Orchestra; Imagination play in hermeneutical re-creation; How to (per)form the incomparable; Chapter Two; The Score Array; Alban Berg's Piano Sonata op. 1; Franz Liszt, Aux Cypres de la Villa d'Este; The Performer as a Musicologist; Artur Schnabel and the harmonic functions; Schonberg, Sechs kleine Klavierstucke, No. 6; Chapter Three; Artistic Research; Tell yourself it's a waltz; Kinesics analysis in the investigation of emotional expression in music performance |
|
Acoustic space as a vital criterion of performance (analysis)Chapter Four; An outline of the ontology of Musical Performance; Performance and music creation; Cross-cultural determinants of music interpretation; The decline of the Performer; Notes on Contributors; Illustrations; Tables; Index |
| Summary |
This collection of essays highlights different questions concerning music theory, interpretation, and performance. Organized into four chapters, the first section looks into interpretation from a hermeneutic perspective, whereas the second analyses the application of this knowledge in musical practice. The discussion turns, in the third part, to a new field of music theory broadly labelled as performance studies. Focused on physical and psychological events, this section broaches fundamental issues such as gesture, bodily movement, expression, emotion, a whole set of processes that act within |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Print version record |
| Subject |
Music -- Performance.
|
|
Music -- Performance
|
| Form |
Electronic book
|
| Author |
Zurletti, Sara
|
| ISBN |
9781527523067 |
|
1527523063 |
|
