| Description |
1 online resource (xiii, 298 pages) |
| Series |
Cambridge studies in Renaissance literature and culture ; 39 |
|
Cambridge studies in Renaissance literature and culture ; 39.
|
| Contents |
Introduction: conjunctures and concepts -- Performance and authority in Hamlet (1603) -- A new agenda for authority -- The "low and ignorant" crust of corruption -- Towards a circulation of authority in the theatre -- Players, printers, preachers: distraction in authority -- Pen and voice: versions of doubleness -- "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- Bifold authority in Troilus and Cressida -- "Unworthy scaffold" for "so great an object" (Henry V) -- Playing with a difference -- To "disfigure, or to present" (A Midsummer Night's Dream) -- To "descant" on difference and deformity (Richard III) -- The "self-resembled show" -- Presentation, or the performant function -- Histories in Elizabethan performance -- Disparity in mid-Elizabethan theatre history -- Reforming "a whole theatre of others" (Hamlet) -- From common player to excellent actor -- Differentiation, exclusion, withdrawal -- Hamlet and the purposes of playing -- Renaissance writing and common playing -- Unworthy antics in the glass of fashion -- "When in one line two crafts directly meet" -- (Word)play and the mirror of representation -- Space (in)dividable: locus and platea revisited -- Space as symbolic form: the locus -- The open space: provenance and function -- Locus and platea in Macbeth -- Banqueting in Timon of Athens -- Shakespeare's endings: commodious thresholds -- Epilogues vs. closure -- Ends of postponement: holiday into workaday -- Thresholds to memory and commodity -- Liminality: cultural authority 'betwixt-and-between' |
| Summary |
Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare |
| Bibliography |
Includes bibliographical references (pages 269-288) and index |
| Notes |
English |
|
Print version record |
| Subject |
Shakespeare, William, 1564-1616 -- Knowledge -- Performing arts
|
|
Shakespeare, William, 1564-1616 -- Criticism and interpretation.
|
|
Shakespeare, William, 1564-1616 -- Dramatic production.
|
| SUBJECT |
Shakespeare, William, 1564-1616 fast |
|
Shakespeare, William. swd |
| Subject |
Theater in literature.
|
|
Acting in literature.
|
|
Drama -- Technique.
|
|
LITERARY CRITICISM -- Shakespeare.
|
|
DRAMA -- Shakespeare.
|
|
Acting in literature
|
|
Drama -- Technique
|
|
Performing arts
|
|
Theater
|
|
Theater in literature
|
|
Toneel.
|
|
Engels.
|
|
Schriftcultuur.
|
| Genre/Form |
Electronic books
|
|
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| Author |
Higbee, Helen
|
|
West, William
|
| ISBN |
0511013086 |
|
9780511013089 |
|
0521781302 |
|
9780521781305 |
|
0521787351 |
|
9780521787352 |
|
051111866X |
|
9780511118661 |
|
9780511484070 |
|
0511484070 |
|
9780511046001 |
|
0511046006 |
|
0511153651 |
|
9780511153655 |
|
1280162171 |
|
9781280162176 |
|
1107120314 |
|
9781107120310 |
|
0511325169 |
|
9780511325168 |
|
