Cover; Title Page; Copyright; Contents; List of Illustrations; List of Maps; Acknowledgments; Note on Transliteration; Introduction; Part I. Spatial and National Contexts; 1. Driving Up the Yellow Lines: Geography and Imagination; 2. Sfakians in the Nation-State; Part II. On Power; 3. Mountain Men as Photographic Subjects andSpectators; 4. Performing the Stereotype: Between Containment and "Recalcitrant Alterity"; 5. The Experiential in the Fictive: A Film Shoot as Visceral History; 6. Who Is Imagining? The Encounter between Shepherds and Scientists; Part III. Modernity and Its Discontents
7. Polluting Modernity, Disturbing Pasts: Photography and Montage Logic8. Sfakians and Tourists; Epilogue; References; Index; About the Author
