| Description |
1 online resource (x, 226 pages) |
| Series |
Toronto Italian studies |
|
Toronto Italian studies.
|
| Contents |
Auteur and autobiography. Constructing an auteur ; Bobbio and My mother's smile : autobiography in Bellocchio's cinema -- Bellocchio's political cinema in the sixties and seventies. The problems of Impegno in the era of postmodernism ; The nature of Bellocchio's Impegno ; The militant documentaries, Nel nome del padre, and Marcia trionfale : contestation, Impegno, and collectivity -- The dreaming "I" : inferiority and Massimo Fagioli's model of the unconscious. Massimo Fagioli and group therapy ; Massimo Fagioli's model of the unconscious ; Screening the "I" : styles of inferiority ; Conclusion -- Bellocchio's political cinema from the eighties to the present. Italian terrorism : Buongiorno, notte ; Vincere : the stripped self ; Conclusion -- The rebel "I" : patriarchy and parents. The woman as rebel : politics and patriarchy ; Rebellion in the name of the father and the family : I pugni in tasca, Il Principe di Homburg, and L'orda di religione ; Conclusion -- Tradition and its discontents. Adaptations and citations : Pirandello, Manzoni, and the overturning of the father-text ; Conclusion : private cinema in a public sphere |
| Summary |
Includes work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis |
| Bibliography |
Includes bibliographical references (pages 205-216) and index |
|
Filmography: pages 203-204 |
| Notes |
Print version record |
| Subject |
Bellocchio, Marco, 1939- -- Criticism and interpretation
|
| SUBJECT |
Bellocchio, Marco, 1939- fast |
| Subject |
PERFORMING ARTS -- Reference.
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9781442698543 |
|
1442698543 |
|
9781442698550 |
|
1442698551 |
|
