| Description |
1 online resource |
| Series |
Schizoanalytic applications |
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Schizoanalytic applications
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| Contents |
Introduction: Inventing schizoanalysis / Ian Buchanan and Lorna Collins -- Part 1. Genealogy of Art and Schizoanalysis: 1. The 'Clutter' Assemblage / Ian Buchanan; 2. Schizo-Revolutionary Art: Deleuze, Guattari and Communisation Theory / Stephen Zepke -- Part 2. Raw Data for Schizoanalysis: Outsider Art: 3. Pragmatics of Raw Art (For the Post-Autonomy Paradigm) /\ Alexander Wilson; 4. Passional Bodies: The Interstitial Force of Artaud's Drawings / Anna Powell; 5. Art, Therapy and the Schizophrenic / Lorna Collins -- Part 3. Art as an Abstract Machine: 6. The Audience and the Art Machine: Janet Cardiff and George Bures Miller's Opera for a Small Room / Susan Ballard; 7. 1780 and 1945: An Avant-Garde Without Authority, Addressing the Anthropocene / jan jagodzinski; 8. Strategies of Camouflage: Depersonalisation, Schizoanalysis and Contemporary Photography / Ayelet Zohar -- Part 4. Mobilizing Schizoanalysis: Collaborative Art Practice: 9. The Event of Painting / Andrea Eckersley; 10. In Response to the 'Indiscreet Questioner' / Jac Saorsa; 11. The Sinthome/Z-point Relation or Art as Non-Schizoanalysis / David Burrows and Simon O'Sullivan (Plastique Fantastique); 12. Art as Schizoanalysis: Creative Place-Making in South Asia / Leon Tan |
| Summary |
"Schizoanalysis is Deleuze and Guattari's fusion of psychoanalytic-inspired theories of the self, the libido and desire with Marx-inspired theories of the economy, history and society. Schizoanalysis holds that art's function is both political and aesthetic - it changes perception. If one cannot change perception, then, one cannot change anything politically. This is why Deleuze and Guattari always insist that the artists operate at the level of the real (not the imaginary or the symbolic). Ultimately, they argue, there is no necessary distinction to be made between aesthetics and politics. One is simply the flipside of the other because both concern the formation and transformation of social and cultural norms. Deleuze and the Schizoanalysis of Visual Art explores how every artist, good or bad, contributes to the structure and nature of society because their work either reinforces social norms, or challenges them. On this view of things, we are all artists, we all have the potential to exercise what might be called a 'aesthetico-political function' and change the world around us; or, just as easily, we can dwell like assassins, and not only let the status quo endure but fight to preserve it as though it were freedom itself"-- Provided by publisher |
| Bibliography |
Includes bibliographical references at the end of each chapters and index |
| Notes |
Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily |
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English |
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Print version record |
| Subject |
Deleuze, Gilles, 1925-1995.
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| SUBJECT |
Deleuze, Gilles, 1925-1995 fast |
| Subject |
Art -- Psychological aspects
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Philosophy: aesthetics.
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PHILOSOPHY -- Aesthetics.
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ART -- General.
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Art -- Psychological aspects
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| Form |
Electronic book
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| Author |
Buchanan, Ian, 1969- editor.
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Collins, Lorna, 1981- editor.
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| ISBN |
9781472533463 |
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1472533461 |
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1306893291 |
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9781306893299 |
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1472531132 |
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9781472531131 |
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9781472594303 |
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1472594304 |
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