| Description |
1 online resource (xii, 264 pages, 16 unnumbered pages of plates) : illustrations (some color) |
| Contents |
Introduction: Burning with contingency -- Material witness: Mel Bochner takes photographic measures -- Pressing the point: Bruce Nauman performs with and against the frame -- Everyone who is anyone: Douglas Huebler and the social capacity of photography -- This is not to be looked at: John Baldessari and photography's insistent visuality -- Credibility gag |
| Summary |
"This project explores the role of photography in conceptual art practices during the 1960's and 1970's. Focusing each chapter on the work of a single, canonical figure -- Mel Bochner, Bruce Nauman, Douglas Huebler and John Baldessari -- Diack argues that these artists expanded the possibilities of the photograph as a "document of doubt," and played with the viewer's investment of truth and factuality in the medium"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from digital title page (viewed on June 17, 2020) |
| Subject |
Conceptual art.
|
|
Photography, Artistic.
|
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Art and photography.
|
|
Documentary photography.
|
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Conceptual.
|
|
art photography.
|
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documentary photography.
|
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ART / Conceptual
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Art and photography
|
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Conceptual art
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Documentary photography
|
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Photography, Artistic
|
| Form |
Electronic book
|
| LC no. |
2019027171 |
| ISBN |
9781452961118 |
|
1452961115 |
|
9781452961101 |
|
1452961107 |
|
