| Description |
1 online resource (1705 pages) |
| Contents |
Intro; Title; Copyright; Contents; Preface; 1 A Melbourne Conversation at the Town Hall on Art, Migration and Indigeneity: What Happens when Cultures Meet?; 1 An Introduction to the Conversation; 2 Playing between the Lines: The Melbourne Experience of Crossing Cultures; 3 Art in Transit: Give and Take in Dutch Art; 4 Found in Translation; 5 Home and Away: Works of Art as Citizens and Migrants; 6 The Travels of a Mi'kmaq Coat: A Nineteenth-Century World Art History and Twenty-First-Century Cultural Politics; 2 Creating Perspectives on Global Art History |
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7 Joe Burke's Legacy: The History of Art History in Melbourne8 The Art of Being Aboriginal; 9 On Global Memory: Reflections on Barbaric Transmission; 3 Art Histories in an Interconnected World:Synergies and New Directions; 10 Beyond the National, inside the Global: New Identity Strategies in Asian Art in the Twenty-First Century; 11 Not Just Images but Art: Pragmatic Issues in the Movement towards a More Inclusive Art History; 12 The World at Stake: CIHA after Melbourne; 13 Global Collections for Global Cities; 4 The Idea of World Art History; 14 Introduction 1; 15 Introduction 2 |
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Methodological and Ideological Perspectives16 Neuroarthistory as World Art History: Why Do Humans Make Art and Why Do They Make It Differently in Different Times and Places?; 17 Towards Horizontal Art History; 18 Global Aspects on Johnny Roosval's Concept of the; 19 Putting the World in a Book: How Global Can Art History Be Today?; Empirical Perspectives; 20 From Ideology to Universal Principles: Art History and the Visual Culture of the Balkans in the Ottoman Empire; 21 From Nation via Immigration to World Art: Concepts and Methods of Brazilian Art Theory |
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22 Universalism and Utopia: Joseph Beuys and Alighiero Boetti as Case Studies for a World Art History23 Genius Loci: The Revenge of the Good Savage?; 24 A Survey of the Current State of Art History in China; 25 Recent Study in Ancient Chinese Art History in China; 26 Objects without Borders: Cultural Economy and the World of Artefacts; 5 Fluid Borders: Mediterranean Art Histories; 27 Fluid Borders, Hybrid Objects: Mediterranean Art Histories 500-1500, Questions of Method and Terminology |
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28 Building Identities: Fluid Borders and an 'International Style' of Monumental Architecture in the Bronze Age29 Byzantine Art in Italy: Sixth-Century Ravenna as a Matrix of Confluence?; 30 'Image-Paradigms' as a Category of Mediterranean Visual Culture: A Hierotopic Approach to Art History; 31 The 'Golden Age' in Al-Andalus as Remembered, or How Nostalgia Forged History; 32 Fluid Picture-Making across Borders, Genres, Media: Botanical Illustration from Byzantium to Baghdad, Ninth to Thirteenth Centuries |
| Notes |
33 Greek Painters Working for Latin and Non-Orthodox Patrons in the Late Medieval Mediterranean: Some Preliminary Remarks |
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Print version record |
| Subject |
Art and globalization -- Congresses
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Art -- Australia -- Congresses
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Art
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Art and globalization
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Australia
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| Genre/Form |
Conference papers and proceedings
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| Form |
Electronic book
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| ISBN |
0522857116 |
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9780522857115 |
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