Description |
449 pages : illustrations ; 24 cm |
Series |
Electronic culture--history, theory, practice |
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Electronic culture--history, theory, practice.
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Contents |
Foreword / Hannes Leopoldseder -- Preface / Gerfried Stocker and Christine Schopf -- Introduction: Ready or Not? / Timothy Druckrey -- Prologue (1979) / Herbert W. Franke -- A Medium Matures Video and the Cinematic Enterprise (1984) / Gene Youngblood -- On the History and Aesthetics of the Digital Image (1984) / Peter Weibel -- MIDI - What It Is and What It Means to Electronic Artists (1984) / Robert Moog -- Ten Indications of an Emerging Computer Culture (1986) / Hannes Leopoldseder -- Art from the Screen (1986) / Herbert W. Franke -- The Visual Artist Turns to Computer Programming (1986) / Herve Huitric and Monique Nahas -- Gesamtdatenwerk: Connectivity, Transformation and Transcendence (1989) / Roy Ascott -- Radio Art (1989) / Heidi Grundmann -- Werner Alone Has Looked on Reality Bare: Proposal for a Really New "New Physics" (1990) / Nick Herbert -- Virtual Environments, Personal Simulation & Telepresence (1990) / Scott S. Fisher -- The Future of Cyberspace: Wild Frontier vs Hyperreal Estate (1990) / Bruce Sterling -- The Universal Robot (1991) / Hans Moravec -- Thresholds of Control: Destruction Art and Terminal Culture (1991) / Kristine Stiles -- Video and Architecture: Beyond the Screen (1994) / Kathy Rae Huffman -- The Noise of the Observer (1995) / Peter Weibel -- Vector in Open Space (1996) / Gerfried Stocker -- The Memesis Network Discussion (1996) / Geert Lovink -- Mind Viruses (1996) / Richard Dawkins -- For a Digital Renaissance of Situationism (1996) / Heimo Ranzenbacher -- Neuron-Silicon Junction or Brain-Computer Junction? (1997) / Peter Fromherz -- Bad Girl Versus the Astronaut Christ. The Strange Political Journey of the Cyborg (1997) / Hari Kunzru -- On the History of the Theory of Information Warfare (1998) / Friedrich Kittler -- Expansion of Media Art: What Will Remain of the Electronic Age? (1984) / Jurgen Claus -- Media Art (1986) / Gerhard Johann Lischka -- "An Ear Alone is Not a Being" (1987) / Daniel Charles -- The Sound of Music (1987) / Douglas Kahn -- Memories (1988) / Vilem Flusser -- Virtual Worlds: The Emperor's New Bodies (1990) / Peter Weibel -- Cybermedia and the Fatal Attraction of Realities (1990) / Bilwet, Adilkno and Filwis -- The Future Merging of Science, Art, and Psychology (1990) / Mervin Minsky -- Virtual Reality for Collective Cognitive Processing (1990) / Derrick de Kerckhove -- Riding the Giant Worm to Saturn: Post-Symbolic Communication in Virtual Reality Excerpt from an Interview with Jaron Lanier (1990) / Morgan Russell -- Endophysics - Physics from Within (1992) / Otto E. Rossler -- The Three Faces of Life (1993) / John L. Casti -- Trace Apparatus (1993) / Thomas Feuerstein and Klaus Strickner -- Artificial Life (1993) / Christopher G. Langton -- Praise to the Parasites (1993) / Florian Rotzer -- The Overexposed City (1994) / Paul Virillo -- The Medialization of the Cities (1994) / Edouard Bannwart -- Winds of the Media from Asia: Human Beings and Art in the B-ISDN Era (1994) / Keiga Yamamoto -- Keep Him on the Phone: The Human Body in the Realm of Technology (1995) / Melita Zajc -- Slacker Luddites (1995) / Critical Art Ensemble -- NETOPOS ... NOTOPOS: The Fate of Reason in the Global Network: Teleology, Telegraphy, Telephony, Television, Telesthetics (1995) / Timothy Druckrey -- Media Memory (1996) / Allucquere Rosanne Stone -- Becoming Positive (1996) / Sadle Plant -- Economics, Computers, and the War Machine (1998) / Manuel De Landa -- Infowar (1998) / Paul Virilio and Derrick de Kerckhove -- Norn Attacks and Marine Doom (1998) / Birgit Richard -- The World in 24 Hours (1982) / Robert Adrian -- Sky Art (1982) / Otto Piene -- Mind of Universe (1984) / Isao Tomita -- The Philosophical Data Bank of Minus Delta T (1984) / Mike Hentz -- Virtual Space' The Electronic Environments of Mobile Image (1986) / Gene Youngblood -- A Contemplation of Dangerous Games (1986) / Cabaret Voltaire -- Statement about Art and Technology (1986) / John Sanborn -- Terminal Art (1986) / Jurgen Claus -- Propositions on the Dark Age of Television (1986) / Bazon Brock -- Pompino Project (1990) / Van Gogh TV -- "Nobody is Safe" (1991) / Stadtwerkstatt TV -- Cartesian Chaos (1992) / Peter Weibel and Bob O'Kane -- Interactive Evolution (1993) / Karl Sims -- Simulation Room (1993) / KR+cF Knowbotic Research -- Interactive Plant Growing (1993) / Christa Sommerer and Laurent Mignonneau -- Audience Participation (1994) / Loren and Rachel Carpenter -- Horizontal Radio - 24 Hours Live (1995) / Gerfried Stocker -- What's That Supposed to Be, What's Program? (1996) / Just Merrit -- Parasite Visions, Alternate, Intimate, and Involuntary Experiences (1997) / Stelarc -- Fragments from "Borderscape 2000." From "The Chicano State Department Chronicles" (1997) / Guillermo Gomez-Pena and Roberto Sifuentes -- Humanistic Intelligence (1997) / Steve Mann -- Music Plays Images x Images Play Music (1997) / Toshio Iwai and Ryuichi Sakamoto -- Ground Truth (1998) / Robin Bargar and Insook Choi -- Are You Online? Presence and Participation in Network Art (1998) / Andreas Broeckmann |
Analysis |
Ars Electronica Historia |
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Arte por ordenador |
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Tecnología en el arte |
Bibliography |
Includes bibliographical references |
Notes |
Also available online via the World Wide Web, by subscription to Books24x7 (ITPro) |
SUBJECT |
Ars Electronica http://id.loc.gov/authorities/names/no91020468 -- History. http://id.loc.gov/authorities/subjects/sh99005024
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Subject |
Arts -- Data processing.
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Technology and the arts.
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Genre/Form |
Digital art.
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Author |
Druckrey, Timothy.
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Books24x7, Inc.
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Ars Electronica (1999 : Linz, Austria)
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LC no. |
99014921 |
ISBN |
0262041766 (alk. paper) |
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0262541270 (paperback) |
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