| Description |
1 online resource (312 pages) |
| Series |
Postmodern studies ; v. 49 |
|
Postmodern studies ; 49
|
| Contents |
Cover ; Title Page ; Copyright Page ; Contents ; Acknowledgments ; Introduction ; 1 Fragments: Production, Consumption, and the Readymade ; 2 Invention: Newspapers, Advertising, and the Origins of Collage ; 3 Critique: Collage and the Politics of the Cut ; 4 Nostalgia: Collage, Collecting and the Paste ; 5 Gleaning: Everyday Life in Collage Culture ; Conclusion: From the Twentieth-Century' s Cutting Edge to the Twenty-First-Century Copy ; Notes ; Bibliography ; Index |
| Summary |
Collage Culture develops a comprehensive theory of the origins and meanings of collage and readymades in modern and postmodern art, literature, and everyday life. Demonstrating that the origins of collage are found in assembly line technologies and mass media forms of layout and advertising in early twentieth-century newspapers, Collage Culture traces how the historical avant-garde turns the fragmentation of Fordist production against nationalist, fascist, and capitalist ideologies, using the radical potential unleashed by new technologies to produce critical collages. David Banash adeptly surv |
| Bibliography |
Includes bibliographical references and index |
| Notes |
English |
|
Print version record |
| Subject |
Collage.
|
|
Postmodernism.
|
|
Arts -- Philosophy.
|
|
collage (technique)
|
|
ART -- General.
|
|
Arts -- Philosophy
|
|
Collage
|
|
Postmodernism
|
|
Collage
|
|
Postmoderne
|
| Form |
Electronic book
|
| LC no. |
2014466352 |
| ISBN |
9789401209427 |
|
9401209421 |
|
