| Description |
1 online resource (xiv, 502 pages) : illustrations |
| Series |
Lecture Notes in Computer Science, 0302-9743 ; 7900 |
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LNCS sublibrary. SL 3, Information systems and application, incl. Internet/Web and HCI |
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Lecture notes in computer science ; 7900.
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LNCS sublibrary. SL 3, Information systems and applications, incl. Internet/Web, and HCI.
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| Contents |
I. Music Emotion Analysis. The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to Music / Emery Schubert [and others] -- Emotion in Motion: A Study of Music and Affective Response / Javier Jaimovich, Niall Coghlan and R. Benjamin Knapp -- Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates / Konstantinos Trochidis [and others] |
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II. 3D Audio and Sound Synthesis. Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source Attributes / Martin J. Morrell and Joshua D. Reiss -- Perceptual Characteristic and Compression Research in 3D Audio Technology / Ruimin Hu [and others] -- Intuitive Control of Rolling Sound Synthesis / Simon Conan [and others] -- EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data / Gilberto Bernardes, Carlos Guedes and Bruce Pennycook -- Reenacting Sensorimotor Features of Drawing Movements from Friction Sounds / Etienne Thoret [and others] |
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III. Computer Models of Music Perception and Cognition -- Auditory Sketches: Sparse Representations of Sounds Based on Perceptual Models / Clara Suied [and others] -- The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music Features / Marcelo Caetano, Athanasios Mouchtaris and Frans Wiering -- The Intervalgram: An Audio Feature for Large-Scale Cover-Song Recognition / Thomas C. Walters, David A. Ross and Richard F. Lyon -- Perceptual Dimensions of Short Audio Clips and Corresponding Timbre Features / Jason Jiří Musil, Budr Elnusairi and Daniel Müllensiefen |
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IV. Music Emotion Recognition. Music Emotion Recognition: From Content- to Context-Based Models / Mathieu Barthet, György Fazekas and Mark Sandler -- Predictive Modeling of Expressed Emotions in Music Using Pairwise Comparisons / Jens Madsen, Bjørn Sand Jensen and Jan Larsen -- Analyzing the Perceptual Salience of Audio Features for Musical Emotion Recognition / Erik M. Schmidt [and others] |
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V. Music Information Retrieval. Sample Identification in Hip Hop Music / Jan Van Balen, Joan Serrà and Martín Haro -- Music Similarity Evaluation Using the Variogram for MFCC Modelling / Lorenzo J. Tardón and Isabel Barbancho -- Automatic String Detection for Bass Guitar and Electric Guitar / Jakob Abeßer -- Using Oracle Analysis for Decomposition-Based Automatic Music Transcription / Ken O'Hanlon, Hidehisa Nagano and Mark D. Plumbley |
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VI. Film Soundtrack and Music Recommendation. The Influence of Music on the Emotional Interpretation of Visual Contexts / Fernando Bravo -- The Perception of Auditory-Visual Looming in Film / Sonia Wilkie and Tony Stockman |
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VII. Computational Musicology and Music Education. Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-Series / Dan Stowell and Elaine Chew -- Structural Similarity Based on Time-Span Tree / Satoshi Tojo and Keiji Hirata -- Subject and Counter-Subject Detection for Analysis of the Well-Tempered Clavier Fugues / Mathieu Giraud, Richard Groult, Florence Levé -- Market-Based Control in Interactive Music Environments / Arjun Chandra [and others] |
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VIII. Cross-Disciplinary Perspectives on Expressive Performance Workshop. (Re)Shaping Musical Gesture: Modelling Voice Balance and Overall Dynamics Contour / Regiane Yamaguchi and Fernando Gualda -- Multimodal Analysis of Piano Performances Portraying Different Emotions / Kristoffer Jensen and Søren R. Frimodt-Møller -- Focal Impulses and Expressive Performance / John Paul Ito -- Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion Control / Alexis Kirke, Eduardo R. Miranda and Slawomir J. Nasuto |
| Summary |
This book constitutes the thoroughly refereed post-conference proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval, CMMR 2012, held in London, UK, in June 2012. The 28 revised full papers presented were carefully reviewed and selected for inclusion in this volume. The papers have been organized in the following topical sections: music emotion analysis; 3D audio and sound synthesis; computer models of music perception and cognition; music emotion recognition; music information retrieval; film soundtrack and music recommendation; and computational musicology and music education. The volume also includes selected papers from the Cross-Disciplinary Perspectives on Expressive Performance Workshop held within the framework of CMMR 2012 |
| Notes |
Includes author index |
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Online resource; title from PDF title page (SpringerLink, viewed September 16, 2013) |
| Subject |
Musical analysis -- Data processing -- Congresses
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Information storage and retrieval systems -- Music -- Congresses
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Computer music -- Congresses
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Speech processing systems -- Congresses
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Natural language processing (Computer science)
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Music.
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Natural Language Processing
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Electronic Data Processing
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Information Storage and Retrieval
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Music
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music (discipline)
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Natural language processing (Computer science)
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Music
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Computer music
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Information storage and retrieval systems -- Music
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Musical analysis -- Data processing
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Speech processing systems
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| Genre/Form |
proceedings (reports)
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Conference papers and proceedings
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Conference papers and proceedings.
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Actes de congrès.
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| Form |
Electronic book
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| Author |
Aramaki, Mitsuko, editor
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| ISBN |
9783642412486 |
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3642412483 |
