Part I. Caricature talk. 1. Defining caricature -- 2. Denying caricature -- 3. Caricature talk and the Spectator -- Part II. Novel caricatures: Caricature talk and characterisation technique. 4. Jane Austen and anti-caricature -- 5. Walker Scott and historical caricatures -- 6. Mary Shelley, flesh-caricature and horrid realism
Summary
What was caricature to novelists in the Romantic period? Why does Jane Austen call Mr Dashwood's wife 'a strong caricature of himself'? Why does Mary Shelley describe the body of Frankenstein's creature as 'in proportion', but then 'distorted in its proportions' -- and does caricature have anything to do with it? This book answers those questions, shifting our understanding of 'caricature' as a literary-critical term in the decades when 'the English novel' was first defined and canonised as a distinct literary entity. Novels incorporated caricature talk and anti-caricature rhetoric to tell readers what different realisms purported to show them. Recovering the period's concept of caricature, Caricature and Realism in the Romantic Novel sheds light on formal realism's self-reflexivity about the 'caricature' of artifice, exaggeration and imagination.-- Provided by publisher
