| Description |
1 online resource (257 p.) |
| Series |
Global Perspectives in Comics Studies |
|
Global Perspectives in Comics Studies
|
| Contents |
Cover -- Half Title -- Series -- Title -- Copyright -- Table of Contents -- List of figures -- List of contributors -- Series editor's preface -- Burning Down the House -- Introduction -- PART I Politics, protest and memory -- 1 Intertextuality and iconic images in Lucas Nine's "Borges, inspector de aves -- 2 The comic as a form of memory of two student movements in contemporary Mexico: the case of Grito de Victoria by Augusto Mora -- 3 The memory of Trauma under the dictatorship as portrayed in contemporary Chilean comics. A comparative perspective with Spain |
|
4 Historical graphic novels in Uruguay 2000-2020 -- 5 Between comics and memories, other stories of Brazil -- 6 Black visualities in Brazilian comics: a historical overview -- 7 And you will come marching with me: the Chilean comics after the social mobilization -- PART II Genre and sexual dissidence -- 8 Approaches to remember the bodies in two Latin American comics: "Notas al Pie" by Nacha Vollenweider and "Las Sinventuras de Jaime Pardo" by Vicho Plaza -- 9 Resisting imposed lines: (Feminine) territoriality in the work of Chilean comics artist Panchulei |
|
10 Bolivian comics and the subalternity -- 11 Emancipated behavior: the body and art in the work of Águeda Noriega and Ale Torres -- 12 Comics as a means to illustrate sexual dissidence: Guadalupe and Poder Trans -- 13 Pervertion through funny comics: the case of Diego Parés' Sr. and Sra. Rispo -- Index |
| Notes |
Description based upon print version of record |
| Subject |
Comic books, strips, etc
|
|
Comic books, strips, etc. -- Themes, motives
|
| Form |
Electronic book
|
| Author |
Gandolfo, Amadeo
|
|
Turnes, Pablo
|
| ISBN |
9781000775242 |
|
1000775240 |
|
