Description |
1 online resource (1 audio file) |
Contents |
Concerto: allegro assai, adagio e piano, forte, vivace (4:03) -- Die bis in den Tod geliebte Iris (19:35) -- Aria andante (4:12) -- L'occaso di Titone all'Aurora oriente (6:49) -- Grave-Presto-Entree (2:55) -- Mi lasci dunque (9:02) -- Menuet alternativement avec le trio (2:03) -- Drei Arien aus Carolus V (6:47) -- Roneau (1:06) -- Luci non vi turbate (4:11) -- Menuet alternativement avec le Sec. Menuet (1:49) -- Benche sempre crudel (10:55) |
Performer |
Olivia Vermeulen, mezzo-soprano ; Capella Orlandi Bremen ; Thomas Ihlenfeldt, conductor |
Event |
Recorded 2016 January 5-9 & July 3-4 Andreaskirche Berlin-Wannsee |
Notes |
Vocal selections sung in German |
Subject |
Songs (Medium voice) with instrumental ensemble.
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Instrumental ensembles.
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Cantatas, Secular.
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Cantatas, Secular
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Instrumental ensembles
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Songs (Medium voice) with instrumental ensemble
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Genre/Form |
Streaming audio
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Form |
Streaming audio
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Author |
Vermeulen, Olivia, 1978- singer.
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Ihlenfeldt, Thomas, conductor
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Container of (work): Keiser, Reinhard, 1674-1739.
Theatralische Music.
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Container of (work): Keiser, Reinhard, 1674-1739.
Bis in den Tod geliebte Iris.
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Container of (work): Keiser, Reinhard, 1674-1739.
Occaso di Titone all'Aurora oriente.
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Container of (work): Keiser, Reinhard, 1674-1739.
Mi lasci dunque.
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Container of (work): Keiser, Reinhard, 1674-1739.
Carolus V. Selections.
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Container of (work): Keiser, Reinhard, 1674-1739.
Luci no vi turbate
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Container of (work): Keiser, Reinhard, 1674-1739.
Benche sempre crudel.
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Capella Orlandi Bremen, instrumentalist.
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