| Description |
1 online resource (186 pages) |
| Contents |
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Abbreviations -- Acknowledgements -- Introduction: Abandoning the Soliloquy/Staging the Narrator -- Part I Two Contexts: the Theatre and the Oeuvre -- 1 Psychological Space in â#x80;#x98;The Summersoft Groupâ#x80;#x99; and the Late Plays -- 2 1881-94: Well-made Drama -- 3 â#x80;#x98;A Projected Formâ#x80;#x99;: Ellipsis and the Fourth Wall -- 4 Conclusion: Abandoning the Soliloquy -- Part II â#x80;#x98;The Theatrical Straitjacketâ#x80;#x99;: The Other House and The Spoils of Poynton |
|
5 The â#x80;#x98;Cultivation of Limitsâ#x80;#x99;6 The Other House: Psychology Embodied -- 7 Fledaâ#x80;#x99;s Sense of the Past: The â#x80;#x98;Poetry ofâ#x80;Œ Something Sensibly Goneâ#x80;#x99; -- 8 Conclusion: The Material Self -- Bibliography |
| Notes |
Print version record |
| Form |
Electronic book
|
| ISBN |
9781351764698 |
|
1351764691 |
|
