Description |
271 pages : illustrations (chiefly color) ; 22 cm |
Series |
Tate Liverpool critical forum ; v. 6 |
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Tate Gallery Liverpool critical forum ; v. 6
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Contents |
Introduction: Hybridity, Hegemony, Historicism / Jonathan Harris -- 1. Painting in a 'Hybrid Moment' / Alison Rowley and Griselda Pollock -- 2. Painting as Aporia / David Green -- 3. Technology, Time, and the Return of Abstract Painting / Graham MacPhee -- 4. Tracing Hybrid Strategies in Brazilian Modern Art / Michael Asbury -- 5. Beatriz Milhazes: Towards a Tropical Syntax / Katya Garcia Anton -- 6. Artists on Hybridity: Statements by / Joshua Mosley, Andrew Johnson, Clayton Merrell, Paul Hubbard, Margery Amdur and Martha J. Gelarden -- 7. Hybridity versus Tradition: Contemporary Art and Cultural Politics / Jonathan Harris -- 8. Well-Connected: Hybrids, Philip Gutson, and Kraftwerk / Simon Wallis |
Summary |
"This collection of essays examines and assesses the current status of painting within global contemporary art. The meaning and value of 'painting' as both a category and a set of practices is analysed by internationally renowned art critics, historians, and theorists. Also included are perceptive contributions from several contemporary artists. Concerned with the internationalisation of contemporary art as a feature of globalisation, the book sheds new light on fine art understood as a facet of a global culture and society dominated by northern and European-US power and history." -- COVER |
Notes |
Essays based on an annual conference |
Bibliography |
Includes bibliographical references |
Subject |
Painting, Modern -- 20th century -- Congresses.
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Genre/Form |
Conference papers and proceedings.
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Kongress
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Conference papers and proceedings.
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Author |
Harris, Jonathan (Jonathan P.)
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Tate Gallery Liverpool.
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LC no. |
2004426754 |
ISBN |
0853239584 |
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