| Description |
1 online resource (x, 204 pages) : illustrations, music |
| Series |
Harmonologia: studies in music theory ; no. 15 |
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Harmonologia series ; no. 15.
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| Contents |
Introduction -- Questions about method -- "'Round midnight" -- A solo-piano performance by Oscar Peterson -- Ensemble performances by Bill Evans -- Conclusions |
| Summary |
Demonstrates that the theories of Heinrich Schenker can illuminate not only the technical aspects of jazz, but also its artistic content. The book offers detailed analysis of Larson's transcriptions into musical notation of five complete recorded performances of Thelonious Monk's classic jazz composition "'Round Midnight" : two recorded by the composer, one by Oscar Peterson, and two by Bill Evans |
| Bibliography |
Includes bibliographical references (pages 202-204) |
| Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
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English |
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digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL |
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Print version record |
| Subject |
Jazz -- Analysis, appreciation
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Schenkerian analysis.
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Jazz -- Analysis, appreciation
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Schenkerian analysis
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Music Instruction & Study.
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Music.
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Music, Dance, Drama & Film.
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Jazz -- Analyse musicale.
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| Genre/Form |
jazz.
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Jazz
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Jazz.
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Jazz.
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| Form |
Electronic book
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