| Description |
1 online resource (viii, 241 pages) |
| Contents |
Notes on contributors -- Introduction / Sidney Gottlieb -- Acknowledgments -- Reading Alfred Hitchcock's Vertigo through the myth of Io and Argos / Mark W. Padilla -- Hitchcock after Murnau: the influence of perspective shooting in Vertigo / Janet Bergstrom -- Versions of Vertigo: they wake up screaming / Mark Osteen -- Hitchcock and Vertigo: French and other connections / Charles Barr -- Fatal resemblances: cross-mapping Hitchcock's Vertigo and Nabokov's Lolita / Barbara Straumann -- The sounds and sights of Vertigo's afterlife in art: Chamber Made Opera's Phobia (2003) and Jean Curran's The Vertigo Project (2018) / Christine Sprengler -- Incidental meaning and "hidden Hitchcock" in Vertigo / Robert Belton -- The hospitality of Scottie Ferguson / Ned Schantz -- Hitchcock and the tourist gaze: Vertigo and the monuments of San Francisco / Steven Jacobs -- The variety of gazes in Vertigo / Sidney Gottlieb -- The metaphor of the beautiful automaton reanimated: artifice, illusion, and late style in Vertigo / Laura Mulvey -- Index |
| Summary |
When Richard Schickel stated unequivocally in 1972 that "We're living in a Hitchcock world, all right", he did so without even mentioning the film that now stands at the top of the Sight & Sound Greatest Films of All Time poll: Vertigo. That omission needs to be redressed when we think about the Hitchcock world we live in now. Haunted by Vertigo: Hitchcock's Masterpiece Then and Now gathers essays that offer a variety of approaches to what many consider to be Hitchcock's signature film, one that shows him operating at full strength as a cinematic artist portraying some of the defining elements of modern life: romantic exhilaration and anxiety, the attractiveness and elusiveness of love, and the interpenetration of pain, pleasure, life, and death in our psyche and our culture. The pieces in this volume explore numerous aspects of how, broadly speaking, Vertigo is about characters haunted by memories and desires; how the film itself is haunted by numerous literary and cinematic fore- bearers; and how it continues to haunt not only filmmakers but artists working in other media as well. Essays that concentrate on formative or interpretive contexts of the film, including Greek mythology, early German cinema, film noir, an ensemble of (mostly) French writers and filmmakers, andmodern and postmodern art are complemented by others that present close readings of hidden details in the film, its use of multiple gazes that underscore its meaning and drama, the darker sides of even gestures of love and hospitality, and how the film embodies Hitchcock's "late style". Taken together the essays in the volume reinforce how Vertigo is, like the majestic trees visited by the two main characters in the film, sempervirens - an enduring masterpiece of then, now, and, we can safely say, the future |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Hitchcock, Alfred, 1899-1980 -- Criticism and interpretation
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| SUBJECT |
Vertigo (Motion picture : 1958) http://id.loc.gov/authorities/names/no97026672
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Vertigo (Motion picture : 1958) fast |
| Subject |
History & Criticism.
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Film & Video.
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ART.
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PERFORMING ARTS.
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| Genre/Form |
Electronic books
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Criticism, interpretation, etc.
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Crime films.
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Films criminels.
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| Form |
Electronic book
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| Author |
Gottlieb, Sidney
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Martin, Donal
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| ISBN |
9780861969883 |
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086196988X |
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9780861969876 |
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0861969871 |
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