| Description |
1 online resource |
| Contents |
Introduction: puzzles -- Print 2.0 c. 1700: a new media regime -- Life not still -- The nature of print -- Marking time -- Monarchy in the age of mechanical reproduction -- Eye con -- A man with an impossible temper -- Tom, Dick, and Henry -- The Collier club? -- Death of the author? -- Which revolution? or, The memory of Mr. Lory -- A signature gone wild |
| Summary |
Three hundred years ago, an unprecedented explosion in inexpensive, disposable print--newspapers, pamphlets, informational publications, artistic prints--ushered in a media revolution that forever changed our relationship to information. One unusually perceptive man, an obscure Dutch/British still life painter named Edward Collier, understood the full significance of these momentous changes and embedded in his work secret warnings about the inescapable slippages between author and print, meaning and text, viewer and canvas, perception and reality. Working around 1700, Collier has been neglected |
| Bibliography |
Includes bibliographical references and index |
| Notes |
English |
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Print version record |
| Subject |
Collier, Edward, active 17th century -- Criticism and interpretation
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| SUBJECT |
Collier, Edward, active 17th century fast |
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Collier, Edwaert 1640-1707 gnd |
| Subject |
Trompe l'oeil painting -- Netherlands
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Art and society -- Netherlands -- History -- 17th century
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Newspapers in art.
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ART -- History -- General.
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Art and society
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Newspapers in art
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Trompe l'oeil painting
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Trompe-l'oeil
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Zeitung
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Netherlands
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| Genre/Form |
Criticism, interpretation, etc.
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History
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| Form |
Electronic book
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| LC no. |
2011042929 |
| ISBN |
9780199876372 |
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0199876371 |
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1280595922 |
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9781280595929 |
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9780199910960 |
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0199910960 |
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9786613625755 |
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6613625752 |
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