| Description |
1 online resource |
| Series |
Studies in Critical Social Sciences ; volume 236 |
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Studies in critical social sciences ; v. 236.
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| Contents |
Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- Preface -- Acknowledgements -- Figures and Tables -- Notes on Contributors -- Chapter 1 The Impact of Theatre in a Multilingual Province: The Case of the Teatro Stabile of Bolzano between New and Old Generations -- 1.1 The Specific Nature of the Territory: From Multilingualism to Multiculturalism -- 1.2 The Research -- 1.3 Analysis -- 1.4 Methodology -- 1.5 Emerged Categories -- 1.5.1 Performance and Social Engagement -- 1.5.2 Other Elements Which Emerged from the Interviews -- 1.6 Analysis of the Questionnaires |
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1.6.1 Some Data -- 1.6.2 Types of Interviewee -- 1.7 Concluding Remarks -- Bibliography -- Chapter 2 The Anomaly of the Teatro Stabile of Bolzano: A Public Theater on the Border, between Different Languages and Cultures -- 2.1 The Origins -- 2.2 Mitteleuropean Dramaturgy -- 2.3 Dramaturgy of the Territory -- 2.4 The Bolzano Theatre Award -- 2.5 Theatre and Society -- 2.6 Conclusions -- Bibliography -- Chapter 3 State Theater of Bolzano: 70 Years: History and Shows in a Book -- 3.1 Goals and Characteristics of the Book -- 3.1.1 A Historiographical Gap to Fill -- 3.1.2 Sources and Research Tools |
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3.1.3 Structure of the Book -- 3.2 The Season of Instability -- 3.2.1 Historical Peculiarities of the Teatro Stabile di Bolzano -- 3.2.2 The Direction of Fantasio Piccoli (1950-66) -- 3.2.3 The Direction of Maurizio Scaparro (1968-75) -- 3.2.4 The Direction of Alessandro Fersen -- 3.3 The Season of Stability -- 3.3.1 From Crisis to Revival -- 3.3.2 The Direction of Marco Bernardi (1980-2015) -- 3.3.3 The Final Location and the New Cultural Orientations -- 3.3.4 The Direction of Walter Zambaldi (2015-) -- 3.3.5 The Online Archive of the Teatro Stabile di Bolzano -- Bibliography |
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Chapter 4 The Interviews for the Research on the Teatro Stabile di Bolzano: Some Methodological Considerations -- 4.1 Selection of the Interviewees -- 4.2 The Empirical Material -- 4.3 The Interviews -- 4.4 A Brief Comparison with the Written Interviews -- 4.5 Theatre and Digital Language -- 4.6 In Conclusion, What Proposals Exist on the Subject of Integration? -- Bibliography -- Chapter 5 Social Theatre, a Polyphonic Dramaturgy of the Community -- 5.1 A Glocal World -- 5.2 Social Theatre -- 5.3 The Polyphonic Dramaturgy of the Communities -- Bibliography |
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Chapter 6 From the Creative Process to the Relationship with the City: The Theatre of the 'Margin' by the Carullo-Minasi Company (Messina, 2011-2021) -- 6.1 Introduction -- Bibliography -- Chapter 7 Theatre Festivals and Urban Public Border Crossing: Practices in Comparison -- 7.1 Introduction -- 7.2 Contextualization -- 7.3 Case Studies -- 7.4 Festivals and Territories: A New Bond -- Bibliography -- Chapter 8 A Relational Theatre: Fabrizio Crisafulli's "Theatre of Places" -- 8.1 Fabrizio Crisafulli's Biography, between Social Commitment and Engagement in Theatrical Research |
| Summary |
This second volume of Theaters and Public Sphere in a Global and Digital Society offers several different case studies in their relationship with society. Also here, the focus is the fundamental contribution that artistic and cultural forms bring to social dynamics and how these can consolidate cohabitation and create meaningfullness, in addition to fulfilling economic and regulatory needs. As symbolic forms of collective social practices, artistic and cultural forms weave the meaning of a territory, a context, and a people, but also of the generations who traverse these same cultures. These forms of meaning interact with the social imagery, mediate marginalization, transform barriers into bridges, and are the indispensable tools for any social coexistence and its continuous rethinking in everyday life. Contributors are : Claudio Bernardi, Marco Bernardi, Massimo Bertoldi, Martina Guerinoni, Mara Nerbano, Chiara Pasanisi, Benedetta Pratelli, Roberto Prestigiacomo, Ilaria Riccioni, Daniela Salinas Frigerio, Eleonora Sparano, Emanuele Stochino, Matteo Tamborrino, Tiziana Tesauro, Katia Trifirò, Alessandro Tolomelli, and Andrea Zardi |
| Bibliography |
Includes bibliographical references and index |
| Notes |
8.2 The "Theatre of Places": Definition of a Practice |
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Description based on online resource; title from digital title page (viewed on March 01, 2023) |
| Subject |
Theater and society -- History -- 21st century
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Theater and society -- Case studies
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Theater audiences.
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Theater and society
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Theater audiences
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| Genre/Form |
Case studies
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History
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| Form |
Electronic book
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| Author |
Riccioni, Ilaria, 1968- editor.
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| ISBN |
9789004526174 |
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900452617X |
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