| Description |
1 online resource (xi, 215 pages) |
| Contents |
Textual landscapes: postdramatic triptychs, bifurcations, and bio-politics in Gabriel Peveroni's trilogy -- Alternative cartographies: Marianella Morena's women's spaces and journeys -- Deluges, holocausts, and neo-fascism: exposing the gaps through performance space in Sanguinetti's Ararat and Nuremberg -- Mapmaking and wayfinding in Gabriel Calderón's staged worlds -- Sergio Blanco's Kassandra complex: transvestite performances and clothing landscapes |
| Summary |
This book on contemporary theater and performance examines how independent theater in Uruguay is marked by points of crisis as shifting networks of power among economic, political, historical, legal, cultural, literary, and gender worlds collide |
| Bibliography |
Includes bibliographical references (pages 195-205) and index |
| Notes |
Description based on print version record and CIP data provided by publisher; resource not viewed |
| Subject |
Theater -- Uruguay -- History and criticism
|
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PERFORMING ARTS -- Theater -- General.
|
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Theater
|
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Uruguay
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| LC no. |
2021678208 |
| ISBN |
9781611487985 |
|
1611487986 |
|
