Introduction -- 1. Convergent forces: the English Stage Company and Look Back in Anger -- 2. Divergent forces : Theatre Workshop -- 3. John Arden : the playwright who wouldn't play ball -- 4. Harold Pinter : who controls the playwright's image? -- Conclusion -- Notes -- Bibliography -- Index
Summary
Today's successful plays and playwrights achieve their prominence not simply because of their intrinsic merit but because of the work of mediators, who influence the whole trajectory of a playwright's or a theatre company's career. Critics and academic writers are primarily considered the makers of reputations, but funding organizations and various media agents as well as artistic directors, producers, and directors also pursue separate agendas in shaping the reputations of theatrical works. In The Making of Theatrical Reputations Yael Zarhy-Levo demonstrates the processes through which these
Bibliography
Includes bibliographical references (pages 257-277) and index