Cover -- Contents -- Abbreviations -- Introduction -- PART 1: FOUNDATION AND METHODOLOGY -- The Founding of Records of Early English Drama -- Birthing the Concept: The First Nine Years -- 'Practice Makes Perfect': Policies for a Cross-Disciplinary Project -- PART 2: REED'S 'PERFORMANCE': IMPACT AND RESPONSE -- Gathering in the Name of the Outlaw: REED and Robin Hood -- What Hath REED Wrought? REED and Patronage -- Margins to the Centre: REED and Shakespeare -- Everything's Back in Play: The Impact of REED Research on Elizabethan Theatre History -- PART 3: WHITHER REED? -- REED and the Record Office: Tradition and Innovation on the Road to Access -- Roles in Life: The Drama of the Medieval Guilds -- Crossing the Border: The Provincial Records of Southeast Scotland -- REED and the Possibilities of Web Technologies -- Herodotus in the Labyrinth: REED and Hypertext -- Thinking Outside the Bard: REED, Repertory Canons, and Editing Early English Drama -- Using REED: A Select Bibliography -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Y
Summary
Thirteen essays amplifying the content of selected conference papers, and a fourteenth submitted at the editors' invitation, make up REED in Review
