| Description |
1 online resource (271 p.) |
| Contents |
Cover -- Half Title -- Title Page -- Copyright Page -- Table of contents -- Figures -- Contributors -- Acknowledgments -- Part 1 Introduction -- 1 Theatre(s) and internationalization(s) -- Introduction -- Theatre and internationalization -- Theatre and internationalization as discourse, politics, and (soft) power -- Theatre, globalization, internationalization: the megamusical and the spectre of McTheatre -- Structure and contents -- Notes -- References -- Part 2 Theatre and internationalization -- 2 1930s jazz operetta and internationalization then and now: Risks, ethics, aesthetics |
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Jazz operetta, structure, difference -- Thematizing internationalization in the early 1930s -- Viktoria und ihr Husar -- Die Blume von Hawaii -- Interlude: operetta and internationalization under National Socialism -- Reviving jazz operetta -- Notes -- References -- 3 Visualizing the entrepreneurial networks of international entertainment: The Dalrays touring beyond the Tivoli, 1956-66 -- Asia-Pacific -- December 1958 to October 1960 -- Calcutta -- Tokyo -- Okinawa, Korea, and Hong Kong -- Europe -- November 1960 to October 1963 -- America and beyond -- March 1964 to June 1966 |
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Discussion -- spheres of influence and fields of operation -- Conclusion -- Notes -- References -- 4 Localizing Aboriginal and Pacific performance on internationalized stages: 1967-73 -- Introduction -- Internationalizing Aboriginal performance: the Aboriginal Theatre Foundation -- 'Aboriginal' culture on an international stage -- 1968 Mexican Cultural Olympics -- An international festival to commemorate Captain Cook in 1970 -- Conclusion -- Notes -- References -- 5 Collaborative creation across borders and art forms: A director's perspective on opera and internationalization -- Introduction |
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Case studies: introduction to the opera and dance projects -- Orfeo by Sasha Waltz & Guests, Berlin, Germany -- Project Faust by Sally Blackwood, Louisville Ballet and Kentucky Opera, Louisville, USA -- Conclusion -- Notes -- References -- Part 3 Language and text in theatre and internationalization -- 6 Negotiating unfamiliar languages and accents in contemporary theatre -- Complexity of Belonging -- Elizaveta Bam -- Notes -- References -- 7 Dramaturgical oper(a n)ations: De-internationalization in contemporary opera libretti -- Introduction -- The opera libretto as an internationalized form |
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Words, words, words? The libretto beyond language -- Golden age or crisis? The contested state of contemporary opera -- National style as dramaturgical difference: case studies -- Conclusion -- Notes -- References -- 8 Criticizing globalization in a theatre of internationalization?: Concepts of theatrical space between dissolution ... -- Globalization and its dynamic spaces: theoretical approaches -- Blurring spaces: Electronic City (2003) -- Problems of demarcation: Safe Places (2016) -- Criticism of globalization in international theatre collaborations -- a contradiction? -- Notes -- References |
| Notes |
Description based upon print version of record |
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Part 4 Internationalization in contemporary theatre |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Theater and globalization -- Germany
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Theater -- Germany -- History
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Theater and globalization -- Australia
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Theater -- Australia -- History
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Theater -- Political aspects -- Germany
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Theater -- Political aspects -- Australia
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Theater
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Theater and globalization
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Theater -- Political aspects
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Australia
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Germany
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| Genre/Form |
History
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| Form |
Electronic book
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| Author |
Severn, John R
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| ISBN |
9781000208955 |
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1000208958 |
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1000209059 |
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9781000209006 |
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1000209008 |
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9781003028406 |
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1003028403 |
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9781000209051 |
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