| Description |
1 online resource (304 pages) |
| Contents |
Intro; Contents; List of Tables; List of Musical Examples; Introduction; Chapter One: Scherzo humoristique (Cat and Mouse): Copland's American Petrushka and His Debt to Stravinsky; Chapter Two: Boulanger and Compositional Maturity; Chapter Three: Popular Music and Jazz: Authentic or Ersatz?; Chapter Four: Paris and Jazz: French Neoclassicism and the New Modern American Music; Chapter Five: Back in the United States: Popular Music, Jazz, and the New American Music; Chapter Six: European Influence beyond Stravinsky and Les Six: Hába and Schoenberg |
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Chapter Seven: Toward a New National Music during the 1930s: Copland's Populism, Accessible Style, and Folk and Popular MusicChapter Eight: Copland's Journey Left; Chapter Nine: "Folk" Music and the Popular Front: El Salón México; Chapter Ten: Billy the Kid; Conclusion: A Vision for American Music . . .; Notes; Bibliography; Index |
| Summary |
The first study to show Copland's style development from his early works through his first widely accessible ballet |
| Notes |
Print version record |
| Subject |
Copland, Aaron, 1900-1990 -- Criticism and interpretation
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Stravinsky, Igor, 1882-1971 -- Influence
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Stravinsky, Igor, 1882-1971 -- Influence
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Copland, Aaron, 1900-1990 -- Criticism and interpretation
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Copland, Aaron, 1900-1990 |
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Stravinsky, Igor, 1882-1971 |
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Influence (Literary, artistic, etc.)
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9780472125043 |
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0472125044 |
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