| Description |
1 online resource (vi, 227 pages.) |
| Series |
Avant-garde critical studies, volume 31 |
| Contents |
Introduction: The Cultural Pathologies of Spanish Modernism : Towards a Normalization of the Avant-Garde -- PART 1. Inventions -- The Invention of an Avant-Garde Readership / Domingo Rodenas de Maya -- (Mis)Reading Joyce in the Context of the 'Arte Nuevo' Narrative / Andres Perez-Simon -- PART 2. Spaces -- Honesty, Meaninglessness and Primal Vision in the Spanish Avant-Garde / Juan Herrero-Senes -- 1947 : Nomadology, Schizoanalysis and Ramon Gomez de la Serna's El hombre perdido / John McCulloch -- Things : Material Ontology in El Rastro (1914) / Eduardo Gregori -- PART 3. Alterities -- Joan Salvat Papasseit : Between Tradition and Innovation, or, The Poetic Form as an Open-Ended Enquiry to Society / Jennifer Duprey -- Modernism and Spanish Vanguard in Dialogue with Portugal / Antonio Saez Delgado -- PART 4. Intennedialities -- Remedios Varo : Surrealism and Gender Imagery in the Second Republic / Rosa JH Berland -- Writing Photography and Poetry : New York City in the Work of Jose Moreno Villa / Regina Galasso -- Endless Birth : Art-Crossing and Code-Mixing in Picasso's and Dali's Literary Texts / Marcos Eymar -- PART 5. Politizations -- Recovering the Ruins of al-Andalus : Convivencia, Sephardism, and the Spanish Avant-Garde, 1920-1936 / Evelyn Scaramella -- Disarming Prince Charming : Los principes iguales as Subversive Fairy Tale / Lynn C. Purkey |
| Summary |
"This book offers a critical reinterpretation of the Spanish avant-garde, focusing on narrative, transculturality, and intermediality. Narrative, because it prioritizes the analysis of prose over poetry, against the traditional use of critical literature on the subject up to this point. Transculturality, because the Spanish avant-garde simply cannot be understood without the acknowledgement of its multi-linguistic reality and the transnational scope of the experience of modernism in Europe--of which Spain was an integral yet underexposed component. And intermediality, because the interrelations of painting, photography, film, and literature articulate a correlation and mutual affect among different media, creating a rich cultural tapestry that needs to be addressed. Contributors: Rosa Berland, Jennifer Duprey, Marcos Eymar, Regina Galasso, Eduardo Gregori, Juan Herrero-Senés, John McCulloch, Andrés Pérez-Simón, Lynn Purkey, Domingo Ródenas de Moya, Evelyn Scaramella and Antonio Sáez Delgado"--Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Avant-garde (Aesthetics) -- Spain -- History -- 20th century
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Modernism (Aesthetics) -- Spain -- History -- 20th century
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Arts, Spanish -- 20th century.
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Spanish literature -- 20th century -- History and criticism
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Motion pictures -- Spain -- History -- 20th century
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Narration (Rhetoric) -- History -- 20th century
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Intercultural communication -- Spain -- History -- 20th century
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Transnationalism -- History -- 20th century
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Mass media -- Spain -- History -- 20th century
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Arts, Spanish.
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Avant-garde (Aesthetics)
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Intellectual life.
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Intercultural communication.
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Mass media.
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Modernism (Aesthetics)
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Motion pictures.
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Narration (Rhetoric)
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Spanish literature.
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Transnationalism.
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| SUBJECT |
Spain -- Intellectual life -- 20th century.
http://id.loc.gov/authorities/subjects/sh85126149
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| Subject |
Spain.
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| Genre/Form |
Criticism, interpretation, etc.
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History.
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| Form |
Electronic book
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| Author |
Gregori, Eduardo
|
|
Herrero Senés, Juan
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| LC no. |
2016000620 |
| ISBN |
9789004310179 |
|
9004310177 |
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