| Description |
1 online resource (xii, 380 pages) : illustrations |
| Contents |
Frontmatter -- CONTENTS -- Figures and Scores -- On Transcription: A Prelude (in Conversation with Deanna Fong) -- 1 " We make something out of what records we can find" -- 2 Race, Multiplicity, and Dis/Located Voices -- 3 " The fact of my mouth" -- 4 Listening as Access -- 5 " That in-between space" -- 6 New Forms of Digital, Temporal, and Auditory Poiesis -- 7 " It doesn't mean anything except talking" -- 8 " It's resistance but it's also embrace" -- 9 " What is being resisted is our 'yes'" -- 10 The Whatever-icity of Spoken Word -- 11 " A taking in, a holding with" -- 12 Can We Think of Sound (or Voice) without Sight (or the Gaze)? -- 13 Transcript of Lesbian Liberation Across Media: A Sonic Screening Podcast, Introduction -- 14 Listening to LGBTQ2+ Communities at the Lesbian Liberation Across Media Watch Party -- 15 " It was an extension of the moment" -- 16 Curatorial Agency at Véhicule Art Inc. -- 17 " Songs are so much more than songs" -- 18 "Misaudition" -- CONTRIBUTORS -- INDEX |
| Summary |
"Print--and by extension, visuality--have historically dominated the literary, artistic, and academic spheres in Canada; however, scholars and artists have become increasingly attuned to the creative and scholarly opportunities offered by paying attention to sound. Resistant Practices in Communities of Sound turns to a particular opportunity, interrogating the ways that sonic practices act as forms of aesthetic and political dissent. Chapters explore, on the one hand, critical methods of engaging with sound--particularly bodies of literary and artistic work in their specific materiality as read, recited, performed, mediated, archived, and remixed objects; on the other hand, they also engage with creative practices that mobilize sound as a political aesthetic, taking on questions of identity, racialization, ability, mobility, and surveillance. Divided into nine pairings that bring together works originating in oral/aural forms with works originating in writing, the book explores the creative and critical output of leading sonic practitioners. It showcases diverse approaches to the equally complex formations of sound, resistance, and community, bridging the too-often separate worlds of the practical and the academic in generative, resonant dialogue. Combining the oral and the written, the creative and the critical, and the mediated and the live, Resistant Practices in Communities of Sound asks us to attune ourselves as listeners as well as readers."-- Provided by publisher |
| Analysis |
2SIALGBTQ+ |
|
Acoustic |
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Aesthetics |
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Amateur |
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Audio |
|
Aurality |
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Canadian |
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Collaboration |
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Communication |
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Creative |
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Culture |
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Curation |
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Decolonization |
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Difference |
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Disability |
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Elitism |
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Feminism |
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Identity |
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Indigenous |
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Lacan |
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Liberation |
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Literature |
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Liveness |
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Media |
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Nisga'a |
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Openness |
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Orality |
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Performance |
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Philosophy |
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Podcast |
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Politics |
|
Practice |
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Public |
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Relationality |
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Resonance |
|
Social |
|
Speech |
|
Stó:lō |
|
TISH |
|
Theory |
|
Transcription |
|
Utterance |
|
Voice |
|
poetry |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from digital title page (viewed on July 31, 2024) |
| Subject |
Sound art -- Political aspects -- Canada
|
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Sound art -- Social aspects -- Canada
|
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Communication in art -- Canada
|
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Art and literature -- Canada
|
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Authors, Canadian -- Interviews
|
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Artists -- Canada -- Interviews
|
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Communication in art.
|
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LITERARY CRITICISM / Modern / 21st Century .
|
| Form |
Electronic book
|
| Author |
Fong, Deanna, editor.
|
|
Mash, Cole, editor.
|
| ISBN |
9780228021759 |
|
0228021758 |
|
9780228021742 |
|
022802174X |
|
