Introduction: "Bodies that matter" -- How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Epilogue: "Female masculinity."
Summary
In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of
Bibliography
Includes bibliographical references (pages 203-216) and index
