| Description |
online resource (viii, 350 pages) |
| Contents |
Intro -- Acknowledgments -- Permissions -- Introduction -- 1. Images of Objectification: Othello as Prop in Kill Shakespeare -- 2. Colorblindness on the Post-Racial Stage: Hip Hop, Comedy, and Cultural Appropriation in Othello: The Remix -- 3. Othello, Race, and Serial: The Ethics of a Shakespearean Cameo -- 4. "No tools with which to hear": Adaptive Re-Vision, Audience Education, and American Moor -- 5. At the Intersection of Gender, Race, and White Privilege: A Case of Three Desdemona Plays -- 6. Resisting Lobotomized Shakespeare: Whiteness and Universality in Key & Peele and Get Out |
|
Epilogue -- Bibliography -- Index |
| Summary |
Traces the history of Othello's contemporary citations, adaptations, and appropriations across genres |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from PDF title page (EBSCOhost, viewed on January 12, 2023) |
| Subject |
Shakespeare, William, 1564-1616. Othello -- Adaptations -- Criticism and interpretation
|
| SUBJECT |
Othello (Shakespeare, William) fast |
| Subject |
Race in literature.
|
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English drama (Tragedy) -- 17th century -- Adaptations -- History and criticism
|
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DRAMA / American / African American
|
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Race in literature
|
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Theatre studies.
|
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Classic & pre-20th century plays.
|
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Literature: history & criticism.
|
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Literary studies: plays & playwrights.
|
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Ethnic studies.
|
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Literature.
|
| Genre/Form |
Adaptations
|
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Literary criticism.
|
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Critiques littéraires.
|
| Form |
Electronic book
|
| ISBN |
9781474487313 |
|
1474487319 |
|
9781474487320 |
|
1474487327 |
|
