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Author Herbert, Robert L., 1929-

Title Seurat : and the making of La Grande Jatte / Robert L. Herbert ; with an essay by Neil Harris ; contributions by Douglas W. Druick ... [and others]
Edition First edition
Published Chicago, Ill. : The Art Institute of Chicago in association with University of California Press ; Berkeley : University of California Press, 2004

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Location Call no. Vol. Availability
 MELB  759.4 Seurat Her/Sat  AVAILABLE
Description 288 pages : illustrations (chiefly color), portraits (some color) ; 27 x 30 cm
Contents "Almost by a miracle" : La Grande Jatte at the Art Institute of Chicago / Douglas W. Druick and Gloria Groom -- Ch. 1. Before La Grande Jatte -- Ch. 2. Genesis of La Grande Jatte -- Ch. 3. La Grande Jatte completed -- Ch. 4. La Grande Jatte in the eighth Impressionist exhibition -- Ch. 5. Seurat and La Grande Jatte, 1886-91 -- Ch. 6. La Grande Jatte and Seurat, 1892-1965 -- Ch. 7. La Grande Jatte interpreted since 1980 -- Ch. 8. Fashion and irony -- Seurat's working process : the compositional evolution of La Grande Jatte / Frank Zuccari and Allison Langley -- La Grande Jatte : a study of the materials and technique / Inge Fiedler -- Rejuvenating Scurat's palette using color and imaging science : a simulation / Roy S. Berns -- The park in the museum : the making of an icon / Neil Harris -- Catalogue of all known works related to La Grande Jatte
Summary "Bedlam," "scandal," and "hilarity" were among the epithets used to describe the effect of what is now considered Georges Seurat's greatest work, and one of the most remarkable paintings of the nineteenth century, when it was first exhibited in Paris in 1886. A Sunday on La Grande Jatte--1884, an extensive landscape peopled with over forty figures, took the artist almost two years to complete. Inspired by research in optical and color theory, Seurat juxtaposed tiny dots of colors on the canvas that form a single and more brilliantly luminous hue in the viewer's eye. This sumptuous book, created to accompany a major exhibition at the Art Institute of Chicago, provides a fascinating, in-depth examination of the gestation, execution, and influence of Seurat's masterpiece. La Grande Jatte has been part of the Art Institute of Chicago's collection since 1926. Bringing together all known studies and drawings directly related to the painting, this volume provides a visual and contextual survey of Seurat's working methods and aesthetic priorities, as well as the evolutionary process that culminated in his singular achievement. Included are more than fifty-five prepartory works, ranging from rich conte crayon drawings to oil sketches on small wood panels to larger studies painted on canvas. In their quantity, intricacy, and variety, these works reveal a compositional process that harks back to Old Master traditions and methods, which had been largely abandoned by Seurat's immediate predecessors, the Impressionists. The many studies attest to the artist's ambitions for his masterpiece and open up a broader context for understanding the painting. Robert L. Herbert, who has written extensively on the artist, traces Seurat's beginnings in the context of Barbizon painting and Impressionism. Works by Monet, Pissarro, and Renoir are included, as well as a discussion of La Grande Jatte's influence on contemporary art and Seurat's impact on twentieth-century artists such as Leger and others from the School of Paris. An accompanying essay by Neil Harris assesses La Grande Jatte's iconic status in Chicago and beyond, considering a history of the painting's promotion, presentation, and exhibition. A landmark publication, this book provides dazzling proof of why La Grande Jatte is among the most frequently reproduced paintings in the world and why it continues to fascinate scholars and art lovers today
Notes Published on the occasion of the exhibition of the same title, held at the Art Institute of Chicago from June 16 to September 19, 2004
Bibliography Includes bibliographical references and index
Subject Seurat, Georges, 1859-1891. Sunday afternoon on the island of la Grande Jatte -- Exhibitions.
Seurat, Georges, 1859-1891.
Seurat, Georges, 1859-1891 -- Criticism and interpretation.
Painting, French -- 19th century.
Art, French -- 19th century.
Genre/Form Criticism, interpretation, etc.
Exhibition catalogs.
Exhibition catalogs.
Author Harris, Neil, 1938-
Seurat, Georges, 1859-1891.
Art Institute of Chicago.
LC no. 2004041138
ISBN 0520242106 cased
0520242114 paperback
Other Titles Seurat