Topics -- Harmony -- Phrase rhythm -- Motive -- Sonata form -- Analyses -- Three scherzo movements -- Two piano sonata movements -- Two quartet movements -- A slow movement and a finale -- Epilogue: thoughts on Schubert's mature instrumental style
Summary
Probing analyses, from the renowned music theorist, of Schubert's great, yet still little-studied piano-solo, chamber, and symphonic masterpieces
Bibliography
Includes bibliographical references (pages 206-208) and indexes