| Description |
1 online resource (186 pages) : illustrations |
| Contents |
Cover Realism as Protest; Content; Introduction; CHAPTER 1. Subjunctive Realism: Kluge on Film, Politics, and Feelings; CHAPTER 2. Creative Co-Productions: Kluge's Television Experiments; CHAPTER 3. Mobilising the Public Sphere: Schlingensief's Reality Theatre; CHAPTER 4. Productive Discord: Schlingensief, Adorno, and Freakstars 3000; CHAPTER 5. From Information to Experience: Christoph Schlingensief's Quiz 3000; CHAPTER 6. A Negative Utopia: Michael Haneke's Fragmentary Cinema; References |
| Summary |
Realism as Protest draws on the "realistic method" developed by Alexander Kluge to counter the limited image of reality generated by the mainstream media. Focusing on innovative productions produced by Kluge, Schlingensief and Haneke, this groundbreaking study explores how the experimental form of their work in film, television and theatre facilitates thinking, discussion and debate about the possibilities for cultural and political change |
| Bibliography |
Includes bibliographical references (pages 169-186) |
| Notes |
Print version record |
| Subject |
Kluge, Alexander, 1932- -- Criticism and interpretation
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Schlingensief, Christoph, 1960-2010 -- Criticism and interpretation
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Haneke, Michael, 1942- -- Criticism and interpretation
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| SUBJECT |
Haneke, Michael, 1942- fast |
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Kluge, Alexander, 1932- fast |
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Schlingensief, Christoph, 1960-2010 fast |
| Subject |
Realism in motion pictures.
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Realism on television.
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Mass media -- Political aspects.
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Mass media -- Social aspects.
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Theater -- Political aspects.
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PERFORMING ARTS -- Theater -- General.
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SOCIAL SCIENCE / Media Studies
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Mass media -- Political aspects
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Mass media -- Social aspects
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Realism in motion pictures
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Realism on television
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Theater -- Political aspects
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9783839429730 |
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3839429730 |
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