| Description |
1 online resource (275 pages) |
| Series |
Routledge Studies in Media Theory and Practice Ser |
|
Routledge studies in media theory & practice.
|
| Contents |
Cover; Half Title; Series Page; Title; Copyright; Dedication; Contents; List of Figures; Acknowledgments; Preface; Introduction; PART 1 Subjectivity; 1 Ontology, Editing, Photography in Kolchak: The Night Stalker (1974); The Long Take; The Analytic Montage; The Kinestasis; Articulating Realisms; 2 Sublime, Uncanny, Marvelous in The Number 23 (2007); Animation as Revelation; Performing Interpretation; 3 Subjective Desire in Goldfinger (1964); Unreal Fantasy, ' Representation, Ontology; Composite Realities; Seduction; PART 2 Objectivity; 4 Narrational Naturalism in Bullitt (1968) |
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The Discovery ProcessThe 'Reading-Image'; The 'Perception-Image'; 5 Persuasion in The Kingdom (2007); Articulation and Enunciation in Collage; Intertextuality and Archive; 6 Allusion of Errors in Blade Runner 2049 (2017); Narrative Function' and Indexicality; Editing Glitches; PART 3 Ideologies; 7 The Medium; What was Cinema?; Modal Media; 8 The Message; Active Engagement; 9 Realist Articulation; Four Realist Modes; Afterword: Digital Movies; Index |
| Notes |
Includes index |
|
Print version record |
| Subject |
Motion pictures -- Titling.
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Credit titles (Motion pictures, television, etc.)
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Graphic design (Typography)
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Realism in motion pictures.
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Motion pictures -- Production and direction -- Technological innovations
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Graphic arts.
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graphic arts.
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graphic design.
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Graphic arts
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Credit titles (Motion pictures, television, etc.)
|
|
Graphic design (Typography)
|
|
Motion pictures -- Titling
|
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Realism in motion pictures
|
| Form |
Electronic book
|
| ISBN |
9780429520839 |
|
0429520832 |
|
9780429244094 |
|
0429244096 |
|
9780429549007 |
|
0429549008 |
|
9780429520839 |
|
9780429534300 |
|
0429534302 |
|
