| Description |
1 online resource (viii, 304 pages) : illustrations, music |
| Series |
UPSO - Oxford University Press E-Books
|
| Contents |
The social context of the popular music revolution -- Professionalism and commercialism -- New markets for cultural goods -- Music, morals, and social order -- The rift between art and entertainment -- Studies of revolutionary popular genres -- A revolution on the dance floor, a revolution in musical style: The Viennese waltz -- Blackface minstrels, black minstrels, and their European reception -- The music hall cockney: flesh and blood, or replicant? -- No smoke without water: the incoherent message of Montmartre Cabaret |
| Summary |
In 'Sounds of the Metropolis', Derek Scott argues that it was in the 19th century that the first popular music revolution occurred. He illustrates how a distinct group of popular styles first began to challenge the classical tradition and assert their own values and independence |
| Bibliography |
Includes bibliographical references (pages 269-287) and index |
| Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
|
Print version record |
|
digitized 2011 HathiTrust Digital Library committed to preserve pda MiAaHDL |
| SUBJECT |
Metropolitan Museum of Art gnd |
|
Europa gnd |
| Subject |
Popular music -- Europe -- To 1901 -- History and criticism
|
|
Popular music -- New York (State) -- New York -- To 1901 -- History and criticism
|
|
MUSIC -- Genres & Styles -- Pop Vocal.
|
|
Popular music
|
|
Unterhaltungsmusik
|
|
Populärmusik -- Europa -- 1800-talet.
|
|
Populärmusik -- Förenta staterna -- New York (stat) -- 1800-talet.
|
|
Europe
|
|
New York (State) -- New York
|
|
Europa
|
|
New York (N.Y.)
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9780199718832 |
|
0199718830 |
|
9780199871254 |
|
0199871256 |
|
