| Description |
1 online resource (vi, 312 pages) : illustrations |
| Series |
e-Duke books scholarly collection.
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| Contents |
What's the point of an index? or, faking photographs / Tom Gunning -- "The forgotten image between two shots": photos, photograms, and the essayistic / Timothy Corrigan -- Structural film: noise / Juan A .Suarez -- An essay on Calendar / Atom Egoyan -- Photography's absent times / Jean Ma -- The idea of still / Rebecca Baron -- Crash aesthetics: Amores Perros and the dream of cinematic mobility / Karen Beckman -- Surplus memories: from the slide show to the digital bulletin board in Jim Mendiola's Speeder Kills / Rita Gonzalez -- Photography's expanded field / George Baker -- Weekend Campus / Nancy Davenport -- Aleph beat: Wallace Berman between photography and film / Louis Kaplan -- Mental images: the dramatization of psychological disturbance / Zoe Beloff -- Concerning "the photographic" / Raymond Bellour |
| Summary |
"In Still Moving noted artists, filmmakers, art historians, and film scholars explore the boundary between cinema and photography. The interconnectedness of the two media has emerged as a critical concern for scholars in the field of cinema studies responding to new media technologies, and for those in the field of art history confronting the ubiquity of film, video, and the projected image in contemporary art practice. Engaging still, moving, and ambiguous images from a wide range of geographical spaces and historical moments, the contributors to this volume address issues of indexicality, medium specificity, and hybridity as they examine how cinema and photography have developed and defined themselves through and against one another. Foregrounding the productive tension between stasis and motion, two terms inherent to cinema and to photography, the contributors trace the shifting contours of the encounter between still and moving images across the realms of narrative and avant-garde film, photography, and installation art. Still Moving suggests that art historians and film scholars must rethink their disciplinary objects and boundaries, and that the question of medium specificity is a necessarily interdisciplinary question. From a variety of perspectives, the contributors take up that challenge, offering new ways to think about what contemporary visual practice is and what it will become."--Publisher's description |
| Bibliography |
Includes bibliographical references (pages 277-291) and index |
| Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
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digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL |
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Print version record |
| Subject |
Motion pictures.
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Photography.
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Installations (Art)
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Photography
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Motion Pictures
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installations (visual works)
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21.40 photographic art: general.
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24.30 film and television studies: general.
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24.31 theory and aesthetics of film art.
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PERFORMING ARTS -- Film & Video -- History & Criticism.
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Installations (Art)
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Motion pictures
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Photography
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Fotografie
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Film
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Movies.
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Photography.
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Stills.
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Installation.
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Cinematography.
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Film -- Photographie.
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Photographie -- Film.
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Filmästhetik.
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Videokunst.
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Film.
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Photographie.
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Ästhetik.
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Motion pictures.
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Photography.
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Installations (Art)
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Film.
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Fotografi.
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Fotografi.
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Fotografi och film.
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Fotografi och konst.
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| Genre/Form |
Motion pictures
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Motion pictures.
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Films.
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| Form |
Electronic book
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| Author |
Beckman, Karen Redrobe, 1971-
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Ma, Jean, 1972-
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| ISBN |
9780822391432 |
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0822391430 |
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082234131X |
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9780822341314 |
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9781283036108 |
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128303610X |
|
