| Description |
1 online resource : illustrations |
| Contents |
Introduction -- Mashup Music as Parody -- Producing Mashups and the Pleasure of Play -- The HAHA, AHA, and AH Impacts of Mashups -- Sampling Ethics and Mashups' Legality -- How Platform Moderation Affects Mashup Producers -- Authorship and Ownership in the Age of Remix and Takedowns |
| Summary |
"Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Brøvig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"-- Provided by publisher |
| Analysis |
SOCIAL SCIENCE / Media Studies |
|
MUSIC / History & Criticism |
|
LAW / Intellectual Property / Copyright |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from digital title page (viewed on June 29, 2023) |
| Subject |
Mashups (Music) -- Philosophy and aesthetics
|
|
Mashups (Music) -- History and criticism
|
|
Parody in music.
|
|
Mashups (Music)
|
|
Parody in music
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| LC no. |
2022021535 |
| ISBN |
9780262374125 |
|
0262374129 |
|
0262374110 |
|
9780262374118 |
|
