Description |
1 online resource (x, 99 pages) |
Series |
Cultural memory in the present |
|
Cultural memory in the present.
|
Contents |
The crossing of the visible and the invisible -- What gives -- The blind at Shiloh -- The prototype and the image |
Summary |
Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility--of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance--or what Marion describes as "phenomenality" in general. In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting--from classical to contemporary--as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the "nihilism" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible |
Bibliography |
Includes bibliographical references |
Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
|
Translation from the French |
|
digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL |
|
Print version record |
Subject |
Visual perception.
|
|
Perspective.
|
|
Painting -- Philosophy
|
|
Phenomenology.
|
|
Visual Perception
|
|
visual perception.
|
|
phenomenology.
|
|
ART -- Techniques -- Painting.
|
|
Painting -- Philosophy
|
|
Perspective
|
|
Phenomenology
|
|
Visual perception
|
|
Fenomenologie.
|
|
Visuele waarneming.
|
|
Schilderijen.
|
|
Visual perception.
|
|
Perspective.
|
|
Painting -- Philosophy.
|
|
Phenomenology.
|
Form |
Electronic book
|
ISBN |
9781503602717 |
|
1503602710 |
|