Title Staging race : black performers in turn of the century America / Karen Sotiropoulos

Edition 1st Harvard Univ. Press pbk. ed Published Cambridge, Mass. ; London : Harvard University Press, 2008

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Description 1 online resource (1 volume) : illustrations Contents Contents -- List of Illustrations -- Acknowledgments -- Introduction: Politics, Not Minstrelsy -- 1 Minstrel Men and the World�s Fair -- 2 Vaudeville Stages and Black Bohemia -- 3 The “Coon Craze� and the Search for Authenticity -- 4 “No Place Like Home�: Africa on Stage -- 5 Morals, Manners, and Stage Life -- 6 Black Bohemia Moves to Harlem -- Coda: Hokum Redux -- Notes -- Index Summary Staging Race casts a spotlight on the generation of black artists who came of age between 1890 and World War I in an era of Jim Crow segregation and heightened racial tensions. As public entertainment expanded through vaudeville, minstrel shows, and world's fairs, black performers, like the stage duo of Bert Williams and George Walker, used the conventions of blackface to appear in front of, and appeal to, white audiences. At the same time, they communicated a leitmotif of black cultural humor and political comment to the black audiences segregated in balcony seats. With ingenuity and innovation, they enacted racial stereotypes onstage while hoping to unmask the fictions that upheld them offstage. Drawing extensively on black newspapers and commentary of the period, Karen Sotiropoulos shows how black performers and composers participated in a politically charged debate about the role of the expressive arts in the struggle for equality. Despite the racial violence, disenfranchisement, and the segregation of virtually all public space, they used America's new businesses of popular entertainment as vehicles for their own creativity and as spheres for political engagement. The story of how African Americans entered the stage door and transformed popular culture is a largely untold story. Although ultimately unable to erase racist stereotypes, these pioneering artists brought black music and dance into America's mainstream and helped to spur racial advancement Notes Originally published: 2006 Bibliography Includes bibliographical references and index Notes English Print version record Subject African Americans in the performing arts. Performing arts -- Political aspects -- United States -- 19th century Performing arts -- Political aspects -- United States -- 20th century PERFORMING ARTS -- Reference. SOCIAL SCIENCE -- Ethnic Studies -- African American Studies. Performing Arts. -- African Americans in the performing arts -- History. African Americans in the performing arts Performing arts -- Political aspects United States Form Electronic book ISBN 9780674043879 0674043871 9780674027602 0674027604

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