| Description |
1 online resource (321 pages) : illustrations |
| Contents |
Contents -- List of Illustrations -- Acknowledgments -- Introduction: Toward a Cultural History of Colonialism -- Chapter 1. Bringing the Empire Home: The Black Servant in Domestic Portraiture -- Chapter 2. Native Land and Foreign Desires: William Penn's Treaty with the Indians -- Chapter 3. Cultural Cross-Dressing in British America: Portraits of British Officers and Mohawk Warriors -- Chapter 4. Accommodating India: Domestic Arrangements in Anglo-Indian Family Portraiture -- Chapter 5. Taxonomy and Agency in Brunias's West Indian Paintings |
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Chapter 6. Imperial Designs: Botantical Illustration and the British Botanic Empire Chapter 7. The Imperial Politics of the Local and the Universal -- Notes -- Selected Bibliography -- Index |
| Summary |
This study of colonialism and art examines the intersection of visual culture and political power in late-eighteenth-century British painting. Focusing on paintings from British America, the West Indies, and India, Beth Fowkes Tobin investigates the role of art in creating and maintaining imperial ideologies and practices--as well as in resisting and complicating them. Informed by the varied perspectives of postcolonial theory, Tobin explores through close readings of colonial artwork the dynamic middle ground in which cultures meet. Linking specific colonial sites with larger patterns of imperial practice and policy, she examines paintings by William Hogarth, Benjamin West, Gilbert Stuart, Arthur William Devis, and Agostino Brunias, among others. These works include portraits of colonial officials, conversation pieces of British families and their servants, portraits of Native Americans and Anglo-Indians, and botanical illustrations produced by Calcutta artists for officials of the British Botanic Gardens. In addition to examining the strategies that colonizers employed to dominate and define their subjects, Tobin uncovers the tactics of negotiation, accommodation, and resistance that make up the colonized's response to imperial authority. By focusing on the paintings' cultural and political engagement with imperialism, she accounts for their ideological power and visual effect while arguing for their significance as agents in the colonial project. Pointing to the complexity, variety, and contradiction within colonial art, Picturing Imperial Power contributes to an understanding of colonialism as a collection of social, economic, political, and epistemological practices that were not monolithic and inevitable, but contradictory and contingent on various historical forces. It will interest students and scholars of colonialism, imperial history, postcolonial history, art history and theory, and cultural studies |
| Bibliography |
Includes bibliographical references (pages 227-299) and index |
| Notes |
Print version record |
| Subject |
Painting, British -- 18th century -- Themes, motives
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ART -- Subjects & Themes -- General.
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ART -- European.
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British colonies
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Painting, British -- Themes, motives
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| SUBJECT |
Great Britain -- Colonies -- In art
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| Genre/Form |
Art
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| Form |
Electronic book
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| ISBN |
9780822397496 |
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0822397498 |
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9780822323389 |
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0822323389 |
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